This is a reprint; I first posted this review as part of “Fae Awareness Month” in 2011.
Tom Gustafson’s low-budget, independent, gay musical, Were the World Mine, arrived in 2008, swathed in lace and glitter and hot boy-on-boy action. Interspersed with the traditional Shakespearean scenes, acted out on a prep-school stage, are musically-enhanced fantasies that are some of the best moments of the film. Even when the film’s fairies aren’t in costume, the boys are still by turns argumentative, mischievous, aggressive, and tricky. Exactly as the Bard would have wanted them to be. How does the play – and more importantly, the mischievous fairies – fare as a small-town tale of homophobia and love?
Every year on the anniversary of Toshiro Mifune’s birth, I tell everyone I can to watch Nora Inu (released in the US as Stray Dog). It’s one of my all-time favorite movies, one of the best noir movies to come out of Japan, and an incredibly strong example of Akira Kurosawa’s films. It’s also, strangely, the Kurosawa/Mifune joint people talk about the least.
First, let’s all remember the hotness that was Toshiro Mifune:
If you were expecting to see him in film-faux samurai garb, sorry to disappoint you. Mifune appeared in nearly 170 films as an actor, including 16 of Kurosawa’s, and most of them weren’t period pieces. He was an extremely versatile, expressive, and talented actor, with a wide range — which included dark, murky, detective film noir like Stray Dog.Continue reading →
Stretch and Bobbito: Radio That Changed Lives is basically a love letter to Adrian Bartos and Robert Garcia, who hosted “The Stretch Armstrong and Bobbito Show” from 1990 to 1998, on the Columbia University radio station, WKCR. If you don’t already know the fundamental difference between a DJ who makes music, and a DJ who talks between playing tracks on the radio, this documentary won’t be for you. If you don’t already know the difference between rap and lyrical hip-hop, this won’t explain it. If you’re not intimately aware that the 90s rap scene in New York was unlike anywhere else in the world, well… you get the idea.
I reread The Eyes of the Cat this week, a graphic novel written by Jodorowsky and drawn by Mœbius – hands down one of my favorite artists. Created in 1978, the original portfolio-sized zine featured 56 single-panel pages because Jodorowsky specifically asked to “be free from the traditional format of each page cut into panels” (according to his introduction). It was their first comic book collaboration (they later worked together on The Incal series, which I also have), and was Jodorowsky’s way of making something, anything, out of the ashes of the movie-that-never-was, Dune. (1)