Earlier this year, Redshift contacted me about my Apex Magazine story, “That Lucky Old Sun“. They’re a monthly science fiction audio drama anthology series produced by Fancy Pants Gangsters, in their third season. Redshift bought the audio rights to my story, and their cast recorded it like a old-school radio show!
Their current season includes work by Carrie Vaughn and Mari Ness, so I’m in great company. (All of their recordings are free to listen to — check them out!) Though I didn’t write “That Lucky Old Sun” specifically to be performed in this way, I always think about the audio quality of my work as I write, so I’m grateful other readers were able to “hear” it in the same way.
You can find Redshift’s performance of my story here.
GoFundMe Page Here
I’ve raised almost 1/3 of my goal, but still need $1100 to pay off my two college classes. In addition to the collection of Lovecraft-inspired fiction I’m offering up in exchange, I’ve also got reward levels for backers: beta read for short fiction, original art, even a chance to name a body in one of these stories.
Now I’ve added another perk, and everyone who’s contributed $5 or more gets it! I’ll be recording me reading at least one story from the collection – the closer we get to the goal, the more I’ll commit to doing. If we meet the entire goal of $1500, through GoFundMe or through PayPal donations (which I’ve been adding to the GFM page so everyone can see the total raised), I’ll read the entire set of stories.
You can contribute at higher levels to get those rewards and still get the podcasts, too. It’s my gift to everyone who so generously gave to me.
As I said in my original post, you can contribute because I’m a good person going through a hard time. You can contribute because you like my writing and want to see more of it. You can contribute because you haven’t had to roll a SAN check recently. No matter why you lend a hand, I appreciate you.
PS. If you’d rather contribute by PayPal, which doesn’t charge as much as GoFundMe, you can send money using this link . If you do, I’ll add it manually here, so the total amount needed goes down.
My most recent publication,“Call Center Blues,” is now available to read, free, online at Daily Science Fiction. It’s short, fun, science fiction. And did I mention there are robots in it?
Also, this week’s SF Signal podcast is up, and you can hear it now:
SF Signal #90, Time Travel, with me, John DeNardo, Derek Johnson, Gail Carringer, Paul Weimer and Patrick Hester.
It’s been about a year since I decided to be a writer again*. Over the last year I’ve settled into a comfortable balance between my writing life and everything else, and developed habits that have taken me from obscurity to someone who’s appeared on guest blogs and podcasts, gotten good reviews, made friends with writers and artists that I respect, attended conventions, had a pro-level sale, been accepted into the SFWA (didn’t I mention that? Yes, that was my good news this week), and edited a few books. Oh, and built a tiny but respectable little publishing company. In a year.
But it hasn’t been easy, or simple. I spend between 40 and 60 hours a week working on my writing (and, along with that, the editing and publishing that goes into Dagan Books). I spend about 10 hours a week actually putting words on paper. The rest of my time is taken up by all of the little, largely unseen, tasks that make up the life of a working writer:
- I read every day. I don’t just read books and magazines, and in fact don’t read them as often as I’d like. I do read them when I can, but a lot of my reading is through the (growing) list of authors I subscribe to on my Google Reader. Through them I am introduced to new writers, new books, movies, and music. I am told where to find a recording of Leonard Nimoy reading Israeli author Etgar Keret. I get reminders about upcoming readings, author events, and conventions, some of which I can make it to. When I can’t, I can find a recap of what happened so at least I know what I missed. I get introduced to film criticism as expressed by The Incredible Hulk, whose breakdown of structure and plot should be required reading for new writers. I read what NPR and The Paris Review have to say about books making the NY Times Bestseller list, and what indie book bloggers say about books I’d never have heard of otherwise. I get to be part of a world-wide conversation on what fiction is today, and what it should be, and that informs how I see my own writing. It has changed how I write, for the better.
- I also read slush for Dagan Books. In fact, I read every bit of it. 200 fish-themed stories for our latest anthology? I read them all. And for each of the two books before that. I read the novel queries too. From these I learn how many terrible ways there are to pitch your novel, and the few good ways. I learn which opening paragraphs sound less impressive each time you read a new author do the same thing, and which sentences always work, every time. I see authors who come across as arrogant, nervous, self-doubting, clueless, and worse, and I remind myself not to make those same mistakes. Every day, I read all of these things, and my writing improves before it even hits the page. Continue reading
If you read my most recent publication over at Crossed Genres magazine (link goes to story), and wondered how it would sound if I read it aloud, or if you’re looking for a 20 minute distraction from your daily commute, I’ve recorded a quick version of “Monsters, Monsters, Everywhere” in .mp3. Listen to it now or download it for later, and please feel free to leave comments.
“Monsters, Monsters, Everywhere” .mp3
Thanks to the editors at Crossed Genres for letting me post this here.