I’ve updated the big list of Asian Speculative Fiction Authors! Are you on it?

What am I looking for to include you on this list? You must be a published author, publicly marketing yourself as Asian, Asian-American, etc.

The point of the BIG LIST OF ASIAN SPECULATIVE AUTHORS is to promote the reading of authors who don’t always get included in recommendation lists because of subtle or overt racial bias on the part of the people creating those lists. We’ve all seen these big end of year or “best of” lists that are all white, all male, and so on. Sure, most of the time, that bias isn’t intentional. But it’s there, and it sucks.

Authors who don’t appear to be visibly non-white, authors with Anglicized names, authors who don’t allow themselves to be described as non-white, who don’t include that information in their bios – I’m included in that list – we have a certain amount of advantage with readers who prefer to stick with “traditional” (aka, white, American) authors, thinking that we’ll write a certain kind of story they’re familiar with. Sad but true fact: our ability to at least pass as white benefits us with some readers. It’s my hope that by collecting a list like this,  anyone who’s open to reading more broadly, reading outside of their experience, will be able to easily find new authors and new stories to try out.

There’s a fear some readers have that the authors on this list – non-US or non-white authors in general – create work that is “ethnic” or strange. That they won’t understand it because it’s about people and places they don’t know. That hasn’t been my experience. Not only will you find that there are hundreds of fabulous writers, and stories, on this list, but a great many of them are American, Canadian, or British authors… authors whose work is colored not only by their lives as Asians, but as Americans (for example). They write in, and are influenced by, the traditions of science fiction and fantasy that readers of my blog are most familiar with.

There are also authors whose work focuses much more deeply on their homelands, and their experiences as non-white people. There are stories with characters, plots, settings, and even story formats you may not know. Read those! I firmly believe that the more we read, not only are we better writers and readers, because we’ve expanded what we know, but we’re better people, too. The more widely we read, the more we expand ourselves.

I’ve added recent suggestions from the comments/email/Twitter. All authors mentioned prior to 3/17/2016 are now included. If you’re not on this list but should be, or if you’re on it but want me to link to a more recent story or current website, comment below. Really, I want to update this list with accurate information and a link to your favorite work, but you need to give it to me. (Please note that in some cases, I’ve spoken to an author that someone else suggested, and they’ve told me they don’t feel they qualify for this list. If you think I’m missing an obvious choice, check with that author first, and then let me know!)

Want More Diverse Voices in Writing? Please Support the Lao Writers Summit 2016

One way to encourage a greater range of diversity in the writers we have access to is to support spaces where they can go to develop their skills. My friend Bryan Thao Worra is one of the keynote speakers at this year’s Lao Writers Summit, taking place May 27 and 28 in San Diego, CA. Bryan is a poet and genre author, as well as a leader in his community, constantly working to promote Lao American writers, genre fiction, and speculative poetry.

The focus of this year’s summit is:

finding an answer to the question of how do Lao Americans use writing to push art, creative works, and policy/grants using ingrained themes of Lao / Lao American Diaspora history to create visibility of community issues while crafting work that will be coined as Lao American for future years to come. Lao Americans are creating spaces for themselves to explore the possibilities through presentations, panels, and participatory workshops lead by emerging and established Lao American artists.

To do that, Sahtu Press is crowdfunding part of the expense, along with the Lao Assistance Center of Minnesota, a Minneapolis-based non-profit refugee resettlement organization established since 1982.

Since 2010, LAWS has recognized and brought together over 250 writers of all genres including poets, playwrights, filmmakers, teachers and policymakers.

As of today, they’re 33% of the way toward their goal. Please take a moment to visit their fundraising page and contribute.

Thank you.

Writer Wednesday: Jessica May Lin

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Today’s writer is Jessica May Lin. I discovered her when I read her amazing flash piece, “Mortar flowers”, in Nature‘s Futures section, and then read her “Dark, Beautiful Force” at Daily Science Fiction, found out we have friends in common, she’s going to school in the first town I moved to when I left home after high school, and she’s a fellow Codexian. Naturally, I had to ask her a million questions. (Okay, ten. Ish.)

When she’s not writing, Jessica is a student at UC Berkeley. She is also an acrobatic pole dancer. You can find her at www.jessicamaylin.com.

1. How does your life as a full-time university student inspire and/or detract from your writing? Does your major influence your writing, or do you keep the two separate?

I think the exciting thing about being a student is that every day, you get tons of new stuff thrown at you from all sides, which is inspiring in strange ways. Once, after being unable to fall asleep all night, I misunderstood some theory my physics professor was describing, which eventually inspired me to write a story with the title “The Insomniac’s Guide to Collapsing Universes.” I’m majoring in Comp Lit, which has introduced me to radically different ways of storytelling that depart from the Western emphasis on plot and interiority, my two current favorites being Chinese vernacular literature and Soviet avant-garde cinema.

That aside, my writing life, my student life, and my dancing life are all pretty different from each other with very few overlaps, and I like to think that each one engages a different side of myself. It’s kind of like living in 3 different worlds at once with the ability to jump between, but I like it that way. When I get overwhelmed by one, I can easily slip into another. That way, everything I do always feels fresh.

2. What local authors groups or online communities do you actively participate in?

I’m very close with the Odyssey Workshop Class of 2012, who are the first writer friends I’ve ever had. It’s been pretty exciting, watching their careers blossom over the past year and getting to cheer them on from the sidelines. More recently, I made a lot of new friends at Taos Toolbox 2013, who I’m still in touch with. I’m also a member of Codex Writers Forum, which is a supportive, insightful resource that throws the best contests.

3. You’ve written and published some excellent very short fiction. You’re also working on a novel, A Dream of Burning Cities. Do you prefer one kind of writing over the other?

I’m a novel person through and through. When I get an idea I’m super excited about (which happens like, once a year), I want to hold on to it and explore it in as much depth as possible. Sometimes I think I get too invested. I do feel like there’s more room for experiment in short stories though, so every now and then when I stumble across a catchy concept that I can’t stop thinking about, I will write a short story.

4. Which publication are you most proud of, and why?

The bit of writing I am most proud of is actually something I wrote this summer. It hasn’t found a home yet, but I like it because it forced me out of my comfort zone. It was definitely a risk, but one I’m glad I took.

5. You’ve already attended a couple of writing workshops (Taos, Odyssey), which is unusual for a young writer so early in her career. What did you get out of those experiences, and which workshops do you want to attend next?

Before attending workshops, my writing was pretty much an explosion of feelings and ideas without much organization. I liked painting pretty pictures with my words, but I had no idea what a plot was… I think I’m much more disciplined now. Also, I’ve met some incredible people and mentors, who have been there for me through thick and thin. However, I think I’m done attending workshops for a while. For me, there are two parts of learning to write, which are 1) learning to write and 2) living and growing. I’ve been spending a lot of time learning to write but I don’t think I’ve been on an adventure in a while, so I think I’m going to do that next summer. Continue reading

UPDATED List: 150+ Asian Speculative Fiction Authors (with links)

Updated to add suggestions from the comments/email/Twitter. All authors mentioned prior to 8/18/2016 are now included. If you’re not on this list but should be, or you’re on it but want me to link to a more recent story or current website, please comment below.

I’ve been wanting to expand my reading to include more international speculative fiction, and more non-white American authors. I am privileged to know a couple of brilliant writers who also happen to be Asian, and that seemed a good place to start my reading*. I put together a list of work I’d been meaning to explore, and then solicited ideas from Twitter and the SFWA forums. Most people suggested the same couple of names over and over again… while it’s, honestly, wonderful that we’ve reached a point in SF/F where these authors are being read and discussed at all, there’s so much more diversity in our fiction, if we just look for it. There’s almostover a hundred and fifty published writers on this list, and I know it isn’t everyone.

The authors are listed alphabetically by given name, so the list doesn’t imply hierarchy. I also didn’t sort by ancestry, current geographic location, or place of birth (though I noted it where it’s listed in author bios**), because the writers listed here have placed varying degrees of importance on those facts. Some work in American tropes, subverting the “classic” science fiction of the 50s, while others retell the myths of their homeland in new and unique ways. Some look to the future, extrapolating possibilities from their own experiences. There’s no one style, structure, or emotional context that can be called “Asian writing”. What these authors have in common is that they’re all of Asian descent, and they all write speculative fiction***. These authors write primarily in English—I’ve included a few translated works, but I can’t vouch for the authenticity of voice, so I tried to choose English-language stories wherever possible.

I want to thank Clarkesworld, Apex Magazine, Crossed Genres Magazine, Lightspeed Magazine, Strange Horizons, Giganotosaurus, The World SF Blog, and Daily Science Fiction for repeatedly publishing these authors. Looking for diversity in short speculative fiction? Look to those publications. (Or my own, Lakeside Circus.) When I could find it, I’ve linked to the author’s Twitter, website, blog, list of publications, and/or a sample short story. I’ve also noted if the author works primarily in YA or MG fiction.

  1. Aditya Bidikar (Indian, shorts) story: “You Cannot Fight the WarWorld SF blog
  2. Alec Austin (Chinese-American, shorts) twitter website story: “Brief Interviews with TherianthropesDaily Science Fiction
  3. Alice Sola Kim (shorts) website publications story: “Hwang’s Brilliant DaughtersLightspeed
  4. Alliete de Bodard (French/Vietnamese, shorts stories/novels, Nebula and BFSA winner) twitter website publications story: “The Weight of a Blessing” Clarkesworld
  5. Alexander Osias (Filipino, shorts) G+ twitter
  6. Apol Lejano-Massebieau (Filipino, shorts) story: “The Sewing Project” Best of Philippine Speculative Fiction 2009
  7. Amish Tripathi (Indian, novels) twitter
  8. Amitav Ghosh (Indian, novels, Arthur C. Clark award, Man Booker shortlist) website publications blog
  9. Andrea G. Stewart (Chinese-American, shorts/novels) website Twitter
  10. Andrew Drilon (Filipino, shorts/comics/editing) blog
  11. Andrew Fukuda (Chinese/Japanese, novels) (YA) twitter website blog
  12. Andrew Vu website twitter facebook
  13. Anil Menon (Indian, shorts/novels/editing) website blog story: “ArchipelagoStrange Horizons
  14. Ashok Banker (Indian, novels) wikipedia
  15. Benjanun “Bee” Sriduangkaew (shorts) twitter blog story: “AnnexClarkesworld
  16. Berit Ellingsen (shorts, novel) website
  17. Brenda “B.W.” Clough (shorts/novels, Hugo and Nebula nominee) website publications
  18. Bryan Thao Worra (Laotian-American, shorts/poems) twitter blog poem: “No Such PhiLakeside Circus
  19. Budjette Tan (Filipino, comics/shorts, Philippine National Book Award winner) twitter blog story: “The Last Full ShowAlternative Alamat
  20. Camsy Ocumen (Filipino, shorts) story: “The Day the World Lost Its Gravity” Best of Philippine Speculative Fiction 2009
  21. Cassandra Khaw website
  22. Cecelia Manguerra Brainard (Filipino-American, novels/shorts/editing) website wiki
  23. Cecilia Tan (novelist, editing, shorts ) twitter website publications free fiction (sample chapters/serials)
  24. Celestine Trinidad (Filipino, shorts) story: “Under a Mound of Earth, part 1Philippine Genre Stories
  25. Charles Tan (Filipino, shorts/editing) twitter blog publications story: “The Fortunes of Mrs. Yu” The Dragon and the Stars”
  26. Charles Yu (shorts/novels, John W. Campbell nominee) twitter
  27. Chitra Divakaruni (Indian-American, shorts/novels/poems, Pushcart prize) website blog
  28. Cindy Pon (Taiwanese, novels) (YA) twitter website blog sample: first 70 pages of Silver Phoenix
  29. Claire Light (Chinese, shorts) website blog publications story: “The Apocalypse ArtistStretcher
  30. Crystal Koo (shorts, lectures) website twitter publications story: “HeartlandAbyss & Apex
  31. Dean Francis Alfar (Filipino, shorts/novels/plays/editing) twitter wiki story: “The New Daughter” Philippine Genre Stories”
  32. Derwin Mak (Chinese-Canadian, shorts/novels/editing Aurora award) twitter website publications blog novella: “Kleinheimat
  33. Dinesh Rao (Indian, shorts) blog story: “The Portal PlagueThe World SF Blog
  34. Don Pizarro (Filipino-American, shorts/editing) twitter website publications story: “Life After Wartime” Lakeside Circus
  35. Dwight Okita (novels) website
  36. Dung Kai-Cheung (Chinese, novels/plays) bio Continue reading

Writer Wednesday: Wesley Chu

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1. Your first two novels are scheduled to be published by Angry Robot books this year. You originally submitted during AR’s “Open Door Month” in 2011. What was that process like?

The Great Angry Robot Open Submission was probably one of the most fantastic and angst filled experiences of my life, which is unusual for me because I usually live a pretty happy, zero-angst life. I’m like a cross between that singing meerkat in Lion King and a Labrador Retriever.

The robot overlords, Marc Gascoigne and Lee Harris, opened their doors to subs for one month in March of 2011. The subs went through four levels of review, from query and chapters, full manuscript, editorial and finally to acquisitions. At the end, out of a nearly a thousand submissions, twenty-five manuscripts made it to editorials and five received deals. The entire process from submission to signing the deal took fourteen months.

An added bonus about the open sub process was that fourteen of us in the editorial stage bonded on the Absolute Write forums and created our own social Group: Anxious Appliances. Since our inception, we’ve been the most active writing group on AW. Not gonna lie. Those guys kept me sane. I got pretty batshit crazy as the process drew to a close.

2. Once your book was in to the final stages of consideration, you got an agent. How did you find yours? Looking back on it, should you have started looking sooner, or waited longer?

I did query an earlier draft of The Lives of Tao a few years ago. I received some great feedback, and a request for a rewrite, but things fell through. It was still a great learning experience and helped me develop as a writer. It’s fair to say the book wouldn’t be what it is without the suggestions and changes I made from their critiques. I took a year off from the book and then rewrote it with a fresh pair of eyes.

After the manuscript was promoted to editorial during the open sub, I leveraged the potential deal and began querying again, and received offers from two agencies for representation. I was very fortunate to sign with Russell Galen of Scovil Galen Ghosh, who was one of my top targeted agencies. What better person to lead your career than the guy who represented the authors that wrote the books and movies you grew up with (Blade Runner, Total Recall, Minority Report, Screamers)?

3. You have a wife, an executive-level job for a major corporation, family, friends, and a dog. How do you find time to write?

There’s a lot of time in the day. You just have to figure out how to prioritize what is important and what isn’t. I admit to being an OCD kind of guy. I am a single purpose driven machine, like a Phillips screw driver.

During my hardcore martial art days, I used to drive an hour to my friend Tony Marquez’s school (he was the original Kung Lao in Mortal Kombat), Extreme Kung Fu, and train at his facility. Then afterward, I drove thirty minutes to another school where I learned from a Bagua Zhang/Tai Chi master. It was four hours of training a day, six days a week. This went on for many several years.

One day, I thought to myself. “Man, I’ve always wanted to write a book. I don’t know how, but I’m going to figure it out.”

So I gave it a shot. Without knowing what I was doing, I began to write when I had the free time. Eventually, writing took over all my other hobbies. I stopped clubbing. I retired from martial arts. I quit raiding in Wow (that freed up a crap ton of time), and focused on what was really important to me. Continue reading