More Movies from 2011 (Which I’ve Now Seen, in 2012)

My massive catch-up from the cinematic offerings of 2011 continues (click here for part 1 of my mini-reviews), mainly veering away from Hollywood and into the independents.

Thank the Elder Gods for that.

I love a good Hollywood action/adventure type flick as much as the next person – and being a comic book geek, it’s possible I like them even more than most. But as a writer I’m always, always, looking for the story in everything, and much of the mainstream offerings lack witty dialogue, charming character building, or even something as essential as a workable plot. When you take away the car crashes and super powers and music montages, and just show us some people talking their way through a story, we can see the writer at work. Those are the movies I prefer.

I did squeeze in two more Hollywood movies – the romcoms Crazy Stupid Love and Friends With Benefits – before slipping back into familiar territory with One Day, The Art Of Getting By, Beginners, and Another Earth. Continue reading

5 Movies I Didn’t See in 2011 (But Saw This Week)

I love movies. I love how a great director and great actors can take a script, which is just the skeleton of a story, and flesh it out with sets and sounds and camera movements and jump cuts to make emotions. Turning it into the warm body of a film, with strength and heart. When I was young I attended the Academy of Art in San Francisco, and worked on a degree in Screenwriting (with a minor in Cinematography), wrote a few films (and saw them produced), and learned a lot about the film-making process. Though I figured out that screenwriting was basically organizing thoughts and notes to create an outline for someone else to finish – and therefore not enough to keep me interested – I still use some of what I learned then in my writing now.

When I went to UPenn I studied mainly Art History – which is one of the best degrees for a writer in terms of teaching you about art, culture, history, and how to think – but I also got a chance to take a couple of film criticism classes. I loved them! I’ve done classes on Japanese film, both pre-WW2 and post, noir films, and adaptations, and those four classes together showed me most of what is being put back into (recycled, adapted, homage’d) modern movies. Over the years I have learned to write screenplays, see a script cinematically, and think critically about film. But the biggest thing that informs my view of film is that I have watched so many of them. I’ve even worked in movie theaters in order to have access to all the celluloid I want. This has led me to watch a lot less “Hollywood” blockbusters, because I can see the predecessors in the work. Which is to say that I’ve watched enough classic, indie, and foreign films to know all the myriad ways that Hollywood is ripping them off. Why pay to see what’s already been done, and often done better, by someone else?

I ended up only seeing one movie in theaters in all of 2011, my all time low. I saw Contagion, which was wonderful, and that was it. This had, honestly, more to do with my year than with what was available, and so I started off 2012 by renting a handful of “hit” movies that I actually had wanted to see. In the last three days I have watched the final Harry Potter film, Super 8, Captain America, Thor, and Fright Night. What did I think?

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