Updates and News (July 2016 edition)

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In July:

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Abutilon (Flowering Maple) after the rain, Ithaca, New York

I started taking photographs again. Not many, yet, but I’m trying to get back into it, when I have the time. The idea that I can share a beautiful moment without having to be front and center, letting the image speak for me, is very comforting. In a way, I can be social and introverted at the same time, which suits me best.

I wrote, too, a little bit. A poem about being frustrated at the inevitable whiteness of public grief when the media covers dead and injured people of color. More words on the new stories for my Mythos collection. (You can still get it for yourself by pre-ordering it via PayPal for $2, or donating to the fundraiser in exchange for rewards like podcasts and beta reads and art.)

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Landlocked, Canadice Lake, New York

I took a day for myself — who does that? So novel! — to drive out to the middle of nowhere to meet Mercedes, and it was lovely.

I had sales and publications, too:

Sold a reprint of my flash story “Call Center Blues” to Luna Station Quarterly.

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Issue 1.3 of Kaaterskill Basin Literary Journal came out, and it includes my weird SF story, “One Echo Of An August Morning”. I blogged about it here.

I updated my Amazon wish list with some things that will help my life, if you like me enough to support me that way. You can also support me through my Patreon, which gets you poetry and microfiction at the moment, and will host longer stories when more people sign up.

One of the most important things I did was…

I got set up to once again teach my favorite online workshop: Better Writing Through Brevity: Writing/Editing Microfiction and Flash! And I blogged about why you should take this class from me, here. It’s entirely online, it’s less expensive than similar workshops offered anywhere else, and it’s starting in a month, so please, check it out, and tell your friends.

I also wrestled, mostly quietly and to myself, about my work as a freelancer. Most of you know that I went back to editing and content creation full-time because it’s the only job I can work around my son’s special needs, at least until I can finish college and have a real degree to back up my decades of experience (which should let me find a better paying dayjob where I have some seniority and flexibility). I love editing, I love writing, but freelancing is more than those things, and when it’s your only income, it’s frightening.

(Need an editor? I’m available!)

July was my best month as a freelancer so far this year — I got more done, on time! and secured some new work, got paid, too — but it’s still not enough to even cover the rent. I’m very glad to be recovering (recovered?) from being sick for so long; I feel good, I’m getting things done, and I feel confident going forward that I can do more and more. I’ve been chasing new kinds of work: in addition to editing, I did a lot of writing on spec, and at least some of that should pay off eventually. After not having the brain to do a workshop all year, I’m finally ready to do a new one, and a few people have signed up so far, which helped my July income. 

On the other hand, it’s tough to work 40+ hours a week, pull a couple of all nighters, chase every opportunity I can think of — on top of parenting my child — to bring in less than I need to give my landlord this week. Much less the other unpaid bills. It’s disheartening, is what it is.

I admit that I struggle, sometimes, to get up every day and do it again. I hope August is better.

(The list of what I did in June is here.)

I went into the woods to meet a girl in Red

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My friend Mercedes lives in the desert, but just this once, she came to a town near me, and I drove out to meet her.

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We had lunch at a little diner near where she was staying, the sort of place where the waitress is overly friendly and the food isn’t quite as good as they think. The buffalo cauliflower was tasty, though.

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Later, we walked and talked and she didn’t laugh when I got fascinated by a boat parked out in the woods, which is the sort of friend you need, when you think about it.

It was a lovely day, and I would do it again if I could.

Writer Wednesday: Mercedes M. Yardley talks Beautiful Sorrows

There is a place where sorrows pile up like snow and rest in your hair like cherry blossoms. Boys have wings, monsters fall in love, women fade into nothingness, and the bones of small children snap like twigs. Darkness will surely devour you–but it will be exquisitely lovely while doing so.

Mercedes M. Yardley’s Beautiful Sorrows is an ephemeral collection encompassing twenty-seven short tales full of devastation, death, longing, and the shining ribbon of hope that binds them all together.

I was pleased to get a chance to interview my friend Mercedes M. Yardley about her new collection, Beautiful Sorrows. She kindly answered a few lingering questions I had about Las Vegas, writing horror, and vegan cooking:

1. How has living in Las Vegas affected the kind of stories you want to tell?

MMY: Vegas helped introduce me to a different dark side of humanity than I saw in my home town. Of course we had a lot of the same issues there, but everything was on such a personal level. If somebody was hurt or arrested or killed, it affected the entire area. It’s much more nameless here in Vegas. Sometimes I feel like I’m practically stepping over dead bodies on my way to the grocery store. It makes me want to explore the more anonymous, detached aspect of horror.

2. What’s the most beautiful thing about writing horror?

MMY: I think the beauty is in the fact that horror is universal. We all experience fear. We’re all afraid of something. Maybe it’s ghosts, or monsters or men. We’re afraid of losing our children or being brutally rejected. There isn’t a person alive who doesn’t feel fear. You can’t say that about empathy or love. Our vulnerability makes us similar, and that is beautiful.

3. What was the easiest part of writing the stories in this collection? What was the hardest?

MMY: The easiest part was the writing. Writing is such a joy. The hardest part was the writing. Writing can be such a struggle. Some stories came very easily. “Edibility” and most of “Stars” just flowed. But “Black Mary”, which I think is one of the strongest stories in the collection, was certainly difficult for me. It was originally published in Robert Duperre’s The Gate 2, and I think I may have apologized when I turned it in. I’m very proud of the story now, but it took a bit of a toll on me. The same with “The Quiet Places Where Your Body Grows”, which is another favorite.

4. You’ve often talked about being a very visually oriented person. Do you see the imagery in your head before it gets written into your stories, or do you have to imagine what your stories would look like after you’ve constructed the plot?

MMY: Usually I sit and write without any idea of the plot, or maybe just a starting idea. “A girl is destined to be murdered” was the idea for one novel, and I uncovered the rest of the story chapter by chapter as I wrote it. Then I can imagine it. My current WIP, though, came as a very clear image. I was listening to Placebo’s “Follow the Cops Back Home” while driving, and I saw this scene where two weary people, a man and a woman, were having a conversation in the middle of a country lane. Whatever it was about, it was broken. Finished. Whatever happened was more than they could bear. Then they slowly started walking back home. The entire novel sprang from that idea. In fact, Azhar from “The Quiet Places Where Your Body Grows” may be the man in this scenerio. I’m not sure yet.

5. How do you find time to write between raising three children, taking care of the house, being active in your community and church, and – one assumes – occasionally sleeping?

MMY: Sleeping is the first thing to go. Absolutely. It difficult to find the time, and right now I’m busier than I’ve ever been in my life. I want to sleep, and I want to laze around and watch TV. But do I want it more than writing? Would it fulfill me more as a person to get a few more episodes of D. Gray-man in there? It’s about priorities. My family is absolutely a priority. My faith is absolutely a priority. Writing is a priority, and my husband is great to watch the kids and let me write. Some of the other stuff can fall. I take turns. Today the house sparkles and I got some great writing related projects finished, but I haven’t started dinner yet. And most likely won’t. Peanut butter was created for a reason.

6. You recently started cooking more vegan meals around the house. What’s your favorite recipe?

I’ll tell you if you share some more of yours! And thanks for the ones you’ve given me! I have two favorites that we use quite a bit, and what’s even more convenient is that they’re on the internet. The first is this delicious pineapple quinoa cashew stir fry from Veganomicon. (http://www.food.com/recipe/Pineapple-Cashew-Quinoa-Stir-Fry-309239) It’s absolutely delicious. My other favorite is the Barley Bean Bowl from the Skinny B*tch cookbook. (http://gazingin.com/2010/12/06/barley-and-red-beans/) It’s so refreshing.

Facebook: https://www.facebook.com/mercedes.murdockyardley

Twitter: https://twitter.com/mercedesmy

Mercedes’ blog: www.mercedesyardley.com

BEAUTIFUL SORROWS is available on Amazon and at the Shock Totem store at www.shocktotem.com