Updates and News (July 2016 edition)

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In July:

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Abutilon (Flowering Maple) after the rain, Ithaca, New York

I started taking photographs again. Not many, yet, but I’m trying to get back into it, when I have the time. The idea that I can share a beautiful moment without having to be front and center, letting the image speak for me, is very comforting. In a way, I can be social and introverted at the same time, which suits me best.

I wrote, too, a little bit. A poem about being frustrated at the inevitable whiteness of public grief when the media covers dead and injured people of color. More words on the new stories for my Mythos collection. (You can still get it for yourself by pre-ordering it via PayPal for $2, or donating to the fundraiser in exchange for rewards like podcasts and beta reads and art.)

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Landlocked, Canadice Lake, New York

I took a day for myself — who does that? So novel! — to drive out to the middle of nowhere to meet Mercedes, and it was lovely.

I had sales and publications, too:

Sold a reprint of my flash story “Call Center Blues” to Luna Station Quarterly.

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Issue 1.3 of Kaaterskill Basin Literary Journal came out, and it includes my weird SF story, “One Echo Of An August Morning”. I blogged about it here.

I updated my Amazon wish list with some things that will help my life, if you like me enough to support me that way. You can also support me through my Patreon, which gets you poetry and microfiction at the moment, and will host longer stories when more people sign up.

One of the most important things I did was…

I got set up to once again teach my favorite online workshop: Better Writing Through Brevity: Writing/Editing Microfiction and Flash! And I blogged about why you should take this class from me, here. It’s entirely online, it’s less expensive than similar workshops offered anywhere else, and it’s starting in a month, so please, check it out, and tell your friends.

I also wrestled, mostly quietly and to myself, about my work as a freelancer. Most of you know that I went back to editing and content creation full-time because it’s the only job I can work around my son’s special needs, at least until I can finish college and have a real degree to back up my decades of experience (which should let me find a better paying dayjob where I have some seniority and flexibility). I love editing, I love writing, but freelancing is more than those things, and when it’s your only income, it’s frightening.

(Need an editor? I’m available!)

July was my best month as a freelancer so far this year — I got more done, on time! and secured some new work, got paid, too — but it’s still not enough to even cover the rent. I’m very glad to be recovering (recovered?) from being sick for so long; I feel good, I’m getting things done, and I feel confident going forward that I can do more and more. I’ve been chasing new kinds of work: in addition to editing, I did a lot of writing on spec, and at least some of that should pay off eventually. After not having the brain to do a workshop all year, I’m finally ready to do a new one, and a few people have signed up so far, which helped my July income. 

On the other hand, it’s tough to work 40+ hours a week, pull a couple of all nighters, chase every opportunity I can think of — on top of parenting my child — to bring in less than I need to give my landlord this week. Much less the other unpaid bills. It’s disheartening, is what it is.

I admit that I struggle, sometimes, to get up every day and do it again. I hope August is better.

(The list of what I did in June is here.)

New Workshop: Writing/Editing Microfiction and Flash (and why you should take it)

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I’m once again teaching my favorite online workshop: Better Writing Through Brevity: Writing/Editing Microfiction and Flash!

In this class, you will read, write, critique, and edit short fiction of various lengths, including 140 characters, 1 sentence, 100 words, six sentences, under 500 words, and under 1000. Previous students of this class have sold their final pieces to semi- and pro-rate SFF markets. They’ve made friends and contacts — many of them still keep in touch. Most importantly, they’ve been able to take the lessons learned here and apply it to longer stories, and even novels. Once you know how to write well while writing small, you’ll find the benefits across every piece of writing you do.

Why take this workshop from me?

  • I’ve taught it several times before; I know how to present the information so you get the most out if it, on a schedule that works around whatever else you need to prioritize in your life (day job, family, school) and can be accessed by people of different skill levels, online, in different time zones, all over the world.
  • It’s a community, for 4 weeks (and sometimes beyond). I still hang out with many of the writers who’ve taken the workshop. If you’re looking to meet new people who understand the joys and struggles of writing, this could help you.
  • I’ve edited hundreds of short pieces of fiction, both as a freelance editor, and as the head of Lakeside Circus, a magazine devoted to work under 2500 words, so I know what works.
  • As an author, I’ve published microfiction and flash fiction for years. Some of my favorite pieces are:

CLASS BEGINS FRIDAY SEPTEMBER 2, 2016.

THIS IS A GUARANTEED START DATE, SO SIGN UP BEFORE IT’S TOO LATE!

You can read more about the workshop and sign up here (link goes to my freelance editing website).

Sale: “Call Center Blues” (Reprint) to Luna Station Quarterly

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The contract is signed, so I can announce that one of my recent sales was to Luna Station Quarterly. “Call Center Blues” was originally published by Daily Science Fiction, back in 2011, and Luna Station Quarterly is the first to reprint it. With their mission to “display the vast and varied talents of female speculative fiction writers”, I think they’re the best home for this story.

“Call Center Blues” will appear in the September 2016 issue of LSQ. I will post links once I have them, and I hope you’ll support the magazine by reading the story there, even if it isn’t your first time.

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