As the “being sick” portion of the program has gone over the scheduled performance time, I don’t have much writing or editing to report. In between lots of sleeping and thinking about the things I’ll be doing once my brain, you know, works again, I have been getting some reading in. Several graphic novels and some short stories this week:
Unwritten Vol. 1: Tommy Taylor and the Bogus Identity; Mike Carey (author) and Peter Gross (illustrator), Vertigo, 144 pages. In a world where Harry Potter was, at least for a while, the King of All Media, it’s no surprise that someone would write the “our wizard is better and also very similar but better because he’s really real!” story. And yes, you can say it’s analyzing the way our society reacts to the creation of the classic boy hero archetype blah blah blah. It doesn’t matter. Whether Carey is ripping off (or being inspired by) Potter or Timothy Hunter or Luke Kirby or T.H. White’s Wart, it doesn’t matter. Carey pulls in literature and alt-history possibilities and a league of extraordinarily bad men, and puts his own spin on the whole adventure. What you get, then, is a book that is literate and almost delicate in the way the pieces slide together. I loved it, and can’t wait to get the rest of the series.
Locke & Key Volume 1: Welcome to Lovecraft HC [Hardcover]; Joe Hill (author) and Gabriel Rodriguez (illustrator), IDW Publishing, 152 pages. Beautiful, brilliant, and oh yeah, fucking dark. I mean, let’s start the story with some gruesome murder, shall we? And, while we’re at it, let’s throw in a bunch more. In between the loss and pain and moving across the country and (by the way) there’s a creepy thing in the well, Hill’s written a mad masterpiece. You just know that everyone he brings into this tale is going to die miserably, but the story is so good, you’re kind of willing to make that trade. They die, you’re entertained, and you’ll keep coming back for more.
Planetary Vol. 1: All Over the World and Other Stories; Warren Ellis (author) and John Cassaday (illustrator), WildStorm Productions, 160 pages. Oh, Warren Ellis, you’re so meta. A comic book about superheroes who don’t act like superheroes but find out our world has been mixed with other worlds where comic book things have happened? And their superheroes want to fight ours? And Asian men talk about their testicles while worrying over the corpse of Mothra? *sigh* So far, I’m not in love with the series, but it’s interesting. I do like Ellis’s work, and the writing isn’t bad (the art’s lovely too) so I think I’m just having a hard time with the HA HA HA IRONIC USE OF TROPES of it all. There are moments where I think I might be too well read, and reading PLANETARY isn’t helping.
Machine of Death: A Collection of Stories About People Who Know How They Will Die; Ed. by Ryan North, Matthew Bennardo, David Malki, 464 pages. From the first story, I loved this collection. The premise, first bandied about by a cartoon T-Rex, is that a couple of guys create a machine which tells you, often in one word, the manner of your demise. From the first story (“Flaming Marshmallow”), which tells how such a machine can change the social structure of a high school lunch room, to stories about how the machine can make you afraid of love and death and sex and the machine itself, this anthology says something about the human reaction to such perfect news of our mortality. The machine is, after all, never wrong – it’s just a little vague, as in the story where death by SUICIDE doesn’t exactly mean you’re going to kill yourself. Definitely recommended.
I’ve also been keeping up with the daily offerings at Everyday Fiction. They’re not always great but the flash-length stories are new every day, short enough to be read on a break from work or while dinner’s cooking, and it’s good exposure to a wide variety of writing styles. Bonus: a better idea of what does or does not work in terms of storytelling under 1000 words.