(In my ongoing series of “records I own which I think you should hear”. Click here for more.)
Date: June 10 & 11, 1974
Location: RCA Studio A, New York City
Label: RCA, limited release in Quadraphonic sound
The Jazz Piano Quartet (ldr), Roland Hanna, Dick Hyman, Hank Jones, Marian McPartland (p)
10 songs laid down by a quartet of jazz pianists with no other instruments, without rehearsal, with only the barest of notes written beforehand – usually as a jumping off point – and recorded simultaneously without overdubbing… It could have been a disaster. Instead, Dick Hyman, Roland Hanna, Marian McPartland, and Hank Jones nailed every song on the first take.
The soloists are not identified, other than noting that Hyman and McPartland are playing through the left speaker, and Hanna and Jones through the right speaker. The record starts with a melodic presentation of “Lover Come Back to Me,” then moves into a lower pace on “Maiden Voyage” and “Let It Happen.” The tempo picks back up again with “Here’s That Rainy Day” before side A ends. The B side is more experimental, beginning with the almost-atonal jazz fragments embedded in “Solace” — though never breaks all the way out of the box on that tune. They push the arrangement of Stevie Wonder’s “You Are the Sunshine of My Life” enough that you might not recognize the song until you get to the chorus line; the whole thing reminds me of a more-melodic version of a Bad Plus variation. The third track on side B is the star of the show, putting on display a fully improvised jam inspired by only a 6-bar fragment of a Erik Satie song. The grand finale is the most intense, dramatically-keyed track on the whole album, and literally ends with a bang.
Overall, the album is so excellently played that it’s hard to believe this is the result of a couple of seasoned pros sitting down, playing for two days, and calling it “finished”. Yet that’s exactly what it is. I love this album for the piano, for the way it pushes without taking the listener so far out of their comfort zone that they get turned off, and because it’s a reminder that we don’t always need to edit/revise/edit/revise our work to death. There’s something to be said for being fully confident of our skills, and just getting it done.
Listen to this if you can find it. You won’t regret it.
a-01 Lover, Come Back To Me – 2:22 (Sigmund Romberg, Oscar Hammerstein II) / arr: Dick Hyman
a-02 Maiden Voyage – 3:55 (Herbie Hancock) / arr: Dick Hyman
a-03 Let It Happen – 4:21 (Ettore Stratta) / arr: Dick Hyman
a-04 Watch It! – 3:03 (Dick Hyman) / arr: Dick Hyman
a-05 Here’s That Rainy Day – 4:43 (Jimmy Van Heusen, Johnny Burke) / arr: Dick Hyman
b-01 Solace – 3:38 (Scott Joplin) / arr: Dick Hyman
b-02 You Are The Sunshine Of My Life – 3:45 (Stevie Wonder) / arr: Dick Hyman
b-03 Improvviso – 6:48 (Marian McPartland, Dick Hyman, Hank Jones, Roland Hanna) / arr: Dick Hyman
b-04 Warm Valley – 3:38 (Duke Ellington) / arr: Dick Hyman
b-05 How High The Moon – 3:00 (Nancy Hamilton, W. Morgan Lewis) / arr: Dick Hyman
Notes: All titles on: RCA LP 12″: CPL1-0680 — Let It Happen (1974) “Solace” listed as “Variations on Scott Joplin’s ‘Solace'” and credited to Scott Joplin and Dick Hyman. “Improvviso” is based on a fragment by Erik Satie.