Synopsis: Nineteen writers dig into the imaginative spaces between conventional genres—realistic and fantastical, scholarly and poetic, personal and political—and bring up gems of new fiction: interstitial fiction. This is the literary mode of the new century, a reflection of the complex, ambiguous, and challenging world that we live in. These nineteen stories, by some of the most interesting and innovative writers working today, will change your mind about what stories can and should do as they explore the imaginative space between conventional genres. The editors garnered stories from new and established authors in the United States, Canada, Australia, and the United Kingdom, and also fiction translated from Spanish, Hungarian, and French. The collection features stories from Christopher Barzak, Colin Greenland, Holly Phillips, Rachel Pollack, Vandana Singh, Anna Tambour, Catherynne Valente, Leslie What, and others.
At Readercon this last July I got both Interfictions: An Anthology of Interstitial Writing and Interfictions 2, collections of short stories that are considered interstitial – not necessarily of one genre or another, but something in between. Strange but not quite speculative; often based in realism but still unreal. They were put out by the Interstitial Arts Foundation (disclaimer: I’m a member and you should be too), and I’ve been working my way through the books. Since it’s just been announced that the anthology series is moving online and will be open to submissions in February, it’s a good time for a review of book one.
I’ll give my quick thoughts on each story and then an overview at the end:
Christopher Barzak, “What We Know About the Lost Families of – House” – Easily my favorite story in the collection. The first person collective voice fits the story perfectly and adds that little bit of a strange, not the same kind of strange as reading a ghost story (which it also has), but the “what kind of story is this” strange that makes it interstitial. Loved it. Continue reading