New Collection/Fundraiser Update: An Excerpt from “No Hand To Turn The Key”

No Hand to Turn the Key by Carrie Cuinn tells the tale of an alternate future where humanity has been wiped out by Mythos horrors leaving only automatons behind to defend what remains of Earth’s human legacy. The result is a touching tale of sacrifice and hope in the face of overwhelming odds.” – Alan Loewen

The second reprint story in the new collection originally appeared in Steampunk Cthulhu: Mythos Terror in the Age of Steam, out from Chaosium in 2014. It was actually one of the first Mythos stories I wrote, and is an example of what I like best when writing Lovecraft-inspired work: playing at the edges of what came before me, exploring the long-term effects of the Old Ones, with characters you wouldn’t expect.

Want to know a secret? It’s set on the UPenn campus (in my favorite building, Van Pelt-Dietrich Library Center) and mostly in my favorite place, the 6th floor. That’s home to the Kislak Center for Special Collections and Rare Books.

012314_penn_books_600

I spent a hundreds of hours of my life here.

The story begins after all hope had been lost…

The University didn’t have many buildings to choose from. She’d spent time in the Downtown division, where troopers could sit in a 10th story windows and pick off intruders with ease, but having been promoted to defend a more delicate area, she was also forced to do more work. The tallest building on the quad was the New Library, so she headed up the large gray steps toward the wood-paneled doors long-gone construction units had rigged together when the original glass one was busted, decades before. Her heavy armor weighed on her as she moved herself up each worn piece of concrete but there wasn’t time to rest. There was barely time to wind.

Past a pair of dim-witted sentries and into the lift she’d held her back straight and her head high, but alone in the box she finally allowed herself to slump against the wall. Deftly undoing the multitude of fastenings on her coat, she slipped one hand inside and found her windup key – an ornate cog slowly untwisting against her otherwise plain chest. She gently moved her fingers across its intricately engraved surface, feeling the motion of the cog as it clicked down.

The lift slowed at a floor lower than the one she’d been aiming for, and suddenly her moment of privacy ended under the gaze of a male she didn’t know. His eyes widened, taking in the scene.

“I’m sorry,” he said quietly. “I can wait for the next one.” He dropped his gaze.

“No, of course not,” she replied. “Don’t waste the energy. This one is already going up.”

He nodded, entered the box, and turned to face the closing doors, still looking down at the floor.

She realized too late that she had left her hand inside her jacket, fingers idly fondling her chest.

I’m running out of time to pay off what I owe so I can register for Fall, so please, if you can contribute today. I can take contributions via PayPal here (Anything sent this way is still eligible for the same rewards, and I add it to the total at GoFundMe so everyone can see where we are). If you’d like, you can use the GoFundMe instead.

Reviews of my Mythos fiction – get more in my new collection!

I’m funding a new mini-collection of Mythos fiction, and paying for a couple of college classes. Please go to my fundraising page for more info, including rewards. I’ve got deadlines, so this won’t be open long.

If you haven’t read my work before, I’ve collected some reviews of the two previously-printed stories that will appear in the collection…

Reviews of “No Hand to Turn the Key”, in Chaosium’s STEAMPUNK CTHULHU

No Hand to Turn the Key by Carrie Cuinn tells the tale of an alternate future where humanity has been wiped out by Mythos horrors leaving only automatons behind to defend what remains of Earth’s human legacy. The result is a touching tale of sacrifice and hope in the face of overwhelming odds. – Alan Loewen

Imagine if just the clockwork servitors of our own creation was all that was left. Humanity is gone and only they are there to try and preserve the knowledge that might save themselves, and might have damned humanity. [This story is] absolutely fantastic. – Amazon

Among the standout stories for me was Carrie Cuinn’s “No Hand To Turn the Key”. – David, Goodreads

Reviews of “CL3ANS3”, in Chaosium’s ELDRITCH CHROME

“CL3ANS3” is a beautiful story from Carrie Cuinn. Ms. Cuinn’s voice and the picture she was able to weave inside my mind was absolutely amazing, her prose was top-notch. – Brian Murphy (MU Podcast)

“CL3ANS3” by Carrie Cuinn: This story has a really cool concept about a future where all data has to be organized and that organization is done through a kind of virtual reality (it is cyberpunk after all). Carrie Cuinn does a great job of building a great world of CHARACTERS here, like Orson Scott Card did in Ender’s Game (yeah, the guy’s politics suck but he can write some amazing characters). I bring up ‘Ender’ because there are scenes in the story where the protagonist sits down and interacts with other ‘sorters’ in a kind of cafeteria and it just has this realistic feeling to it. The writing is very solid and when the virtual world starts to become tainted by Eldritch happenings the story delivers. – D. Anderson

The anthology had been described to me as ‘Cyberpunk Cthulhu’, which threw me off originally, until I sneaked a peek at Carrie Cuinn’s CL3ANS3, which is, in my opinion, the pivotal point in this anthology and its biggest sell. – Konstantine Paradias

Paradias wrote a full review elsewhere online, which says in part:

CL3ANS3 took me by surprise. Primarily, because this is one of those stories that make excellent material for experimental animation short films that have this rarely-seen alienating feeling to them. The world outlined by Carrie Cuinn in this short story is clinical, sterilized and strange beyond belief. Its main character might be an antisocial, objective narrator but the rest of the people occupying the setting aren’t all that better off.

This story forced me to do a double-take to pinpoint exactly what bothered me about it so much and guess what: it’s not the Lovecraftian Horrors, not in and of themselves. I think that this was perhaps the point that Cuinn was trying to make: the scary, strange future that waits just around the corner, its people distant and antisocial, scared more of each other than the things lurking just beyond the world.

Read the rest of his review here.

Giveaway! SIGNED print copy of STEAMPUNK CTHULHU antho, includes my clockwork erotica story “No Hand To Turn The Key”

UPDATED: WE HAVE A WINNER!

Congratulations to H.W. MacNaughton, who won a trade paperback of STEAMPUNK CTHULHU. This anthology, out now from Chaosium, includes my story “No Hand To Turn The Key”, which has been described as ‘clockwork erotica’ — and I don’t mind at all! It’s got clockwork soldiers and librarians, a ruined version of Philadelphia, magic, ghouls, new love, old memories, fight scenes, and a few moments of intimacy between constructs.

Front

Front

Back

Back