College is expensive, but you can help (Plus, Free Fiction!)

Late start classes began yesterday; I’m taking a 10 week Sociology class that just began, so this also means that my final installment payment for my Spring semester tuition/fees is due. For spring, I still owe $718.00. I’m also taking one class over the summer, to hurry my education along, and the cost for that will be another $600. Together, that’s $1318.00 still due on top of what I’ve already paid, plus what I pay to take care of rent and food and that child I’m so fond of. I’m doing well, financially, compared to the last couple of years: I’m working every freelance job that comes my way, I’m carefully watching my spending, and for the most part, we’re okay each month… which hadn’t been true for a while. It’s the cost of college that’s above and beyond what I can manage on my own.

If you’d like to help, you can do so by:

Contributing directly with a one-time donation through my PayPal account.

Subscribing to my Patreon (where you’ll get sneak peeks at my writing work in progress, and other treats each month)

Hiring me to edit your project, or taking my upcoming flash fiction workshop

I even have an Amazon page, if you’ve got some extra Amazon credit and want to help out with household supplies.

So far, I’m doing well in my classes. I’ve got a 4.0 GPA, going into midterms, and I’m hoping that with enough hard work, I can carry that through the semester. I’m applying for scholarships for the fall, and I’m learning a lot. I know it will help me find a profitable and stable dayjob when this is all over, so I can stop worrying so much about money, and start spending more energy writing.

Speaking of writing, if you haven’t already, please check out this sorted list of where to start with my writing. Everything with a link – which is nearly every story and poem – is free to read online. Plus, you can get the digital editions of my short collection, Women and Other Constructs, for FREE. Download a bundle of all 3 ebook formats, here, or individually: ePubMobi, or PDF. If you don’t have it, please take it, read it, or give it to a friend. Posting so much for free online is my way of saying thank you, for your continued support.

Using Scrivener for NonFiction (with links)

I got Scrivener as a birthday present last year, and up until this week I’d been using it to work on a couple of novels. The workflow suits my note-taking style: I jot things down wherever I can, whenever I’m thinking of it, and then have to assemble the pieces when I have a bigger chunk of time to do so. As I’ve gotten used to Scrivener, gotten into the habit of collecting my various bits of writing this way, I’ve expanded how I use it. First, I started putting together a new short story collection (though I’m still writing the stories in a separate text document and copying them over). Today, I started porting my notes over from a nonfiction project I’ve been kinda sorta working on the the last two years.

I mean that in the sense that I maybe worked on it a few days a month, but enough that over time I’ve got a good idea in my head of the book’s structure, contents, and style. I know this book. I know the point of it. I know how to write it. All that’s left is the research to back up what I’m saying. Well, and a lot of writing things down.

It turns out, there’s less of that to do than I thought. Once I got everything imported into Scrivener, I discovered my disparate notes actually make up a solid framework. If I can find the time to devote to more research, I think I can have a complete draft done in a few months.

What’s great about writing nonfiction in Scrivener? In addition to the ease of simply writing out of order, as you think of whatever you’re writing that day, I like:

  • Using the split screen, or a QuickReference panel, to keep a separate file open to compile a glossary as I write.
  • References! Citations! Keeping track of every title I used for research! It’s a bit complex to set up, but this is a great explanation.

I also found some links that might help you if you’re writing any flavor of nonfiction with Scrivener:

Want More Diverse Voices in Writing? Please Support the Lao Writers Summit 2016

One way to encourage a greater range of diversity in the writers we have access to is to support spaces where they can go to develop their skills. My friend Bryan Thao Worra is one of the keynote speakers at this year’s Lao Writers Summit, taking place May 27 and 28 in San Diego, CA. Bryan is a poet and genre author, as well as a leader in his community, constantly working to promote Lao American writers, genre fiction, and speculative poetry.

The focus of this year’s summit is:

finding an answer to the question of how do Lao Americans use writing to push art, creative works, and policy/grants using ingrained themes of Lao / Lao American Diaspora history to create visibility of community issues while crafting work that will be coined as Lao American for future years to come. Lao Americans are creating spaces for themselves to explore the possibilities through presentations, panels, and participatory workshops lead by emerging and established Lao American artists.

To do that, Sahtu Press is crowdfunding part of the expense, along with the Lao Assistance Center of Minnesota, a Minneapolis-based non-profit refugee resettlement organization established since 1982.

Since 2010, LAWS has recognized and brought together over 250 writers of all genres including poets, playwrights, filmmakers, teachers and policymakers.

As of today, they’re 33% of the way toward their goal. Please take a moment to visit their fundraising page and contribute.

Thank you.

First reviews of my latest story, “That Lucky Old Sun”

In January, Apex Magazine published my short story, “That Lucky Old Sun”, to my great delight. You can read it online for free, here. (You can also buy the whole issue for Kindle here.) If you haven’t read it yet, be warned that there are minor spoilers below.

I was nervous before “That Lucky Old Sun” came out; it’s the longest short story I’ve published to date, and it plays with an old SF trope in a way that readers might either love, or hate, or not notice at all. You can never tell until a story ends up in the world and out of your hands. I was more nervous because this story is important to me. They all are, of course, though some of what I write is fun, some is dark, some is about projecting the future – I’m usually pushing at the edges of what I can do in a story, but the boundaries I’m pushing aren’t always the same.

In classic, golden age SF, we have these grand stories about building rockets, escaping doomed worlds, blasting off into space with limitless potential in front of us. I could write that again a hundred times, and who would question it? We know that tale. We’ve all read it. With this story, I wanted to talk about the people who get left behind. Not the rocket scientists or astronauts or the child looking out the porthole at a dwindling blue marble that used to be his home. Just regular, everyday people. Families. Neighbors. Small town folks, faced with things much bigger than themselves.

I am so happy with how it’s been received.

Amelia Crowly said:

This really gave me chills.
I love the way it *seems* to set the scene at once, only to become darker and more intriguing as the story progressed.

On Twitter, @robertired said:

It’s amazing. Subverting old school sci-fi is something that should be done more. Congratulations.

@ScottMBeggs said:

Beautiful short story from (via ). Uses the familiar to deliver the unexpected.

@MariaHaskins called it:

Wonderful, creeping-up-on-you #scifi

And @LaurenLykke said:

Just read and LOVED your story in !! Got me all teary-eyed!

Over at Tangent Online, Kevin P. Halett said:

Carrie’s “end of the world” science fiction story is time and world ambiguous, telling this often-told story from a new perspective. The protagonist is a small girl, innocuously spending what could be her last day with her loving mother, who knows what’s coming. The author touchingly portrays the mother’s loving patience and the girl’s innocence in this easy to read tale.

Telling the story from the little girl’s perspective made it darker and more compelling. I found the writing engaging from the very beginning and it continued to hold me even though I could guess where it might end; a pleasing new variation on an old theme.

Lastly, and with the most spoilers… At Quick Sip Reviews, Charles Payseur said:

………….okay then. Yeah, this story is a bit dark, a bit…well, a bit very dark, about a child, Melanie, and her mother as they sort-of wait for the end of the world. The setting is vaguely futuristic and also rather dystopian, a place where people are judged based on their skin but not exactly the way that they are now. Here it’s not exactly race it seems but something in the blood that changes the skin’s color and might do other things to it. Whatever the case, it means that there are vast systems in place to try and “contain” it, mostly by reporting on neighbors and living in a police state and it’s an all around not-good scene. And yet the “problem” persists and so the government decided to just bomb everything. Bomb it all and then return to reclaim the wiped slate. And that the story follows a mother and her daughter on this day is bleak as fuck, but also I rather enjoyed it. There is something to be said about this, that this is where fascism leads, that this is where intolerance and bigotry lead. That there are “understanding” people who are just part of the problem and that everything is built on hate without reason, hate because that’s all it is, and in the end it tears everything apart, tears families apart and lets the central lie of the story fester and burn like the fires of the bombs being dropped. Because a large part of the story is the absence of the father, who is “pure” and who has the chance to survive. It’s a wrenching story and a sad one, very much worth reading but maybe prepare some cat videos for the aftermath. Indeed.