Fantasy Scroll interviewed me about writing, rejections, and what advice I’d give new writers.
I think one of the most important transitions a writer makes is when they stop relying on the idea to prop up the story and start thinking about how the story reads as well. In fact, most writers don’t get that far, and you can tell that their fiction is all a lead-up to the reveal of the end, or in support of a strong moment that isn’t actually a whole story. My favorite writers can do both, blending a great idea with beautiful sentences.
I hope to be one of those writers. I’m working on it.
Read the rest here.
A Fantastical Librarian reviewed my short collection, Women and Other Constructs. In part, she says:
Despite its short length there is a wealth of stories here and when I sat down to write my review and pick my favourite stories to talk about, I had a really hard time, because every time I’d change my mind. In this collection of stories mostly dealing with the position of women in society and how their (self-)perception is shaped by the demands and expectations of that society, I found hardly a bum note.
She especially enjoyed “Mrs. Henderson’s Cemetery Dance”, “A Cage, Her Arms”, and “About a Mirror and its Pieces”, about which she says:
This story hit me hard and where it hurts…. I love that it not only gave an explanation of her treatment of the little boys in her fairy tale and in The Lion, the Witch and the Wardrobe, but also made those events tragic, rather than malicious. It was a fabulous story and a great note to end the collection on.
Online, I’ve been getting into ClevelandPoetics (a blog about poetry, esp SF and science poetry), RetroRenovation (a site devoted to old-school home design–I’m there for the mid-century modern style), and back episodes of the Small Beer Press Podcast. So that’s where my head is at.