What I’m Writing: October 2015

I spent most of September sick and sleeping. The couple of months before had been so hectic, with such big life changes – leaving my day job, going back to college, DragonCon. When I came home from D*C exhausted, then realized I had a cold, and then watched it develop into bronchitis, I had to put aside everything but the bare minimum for survival. I spent a couple of weeks on my couch. I’m just now starting to feel better, though I’m certainly not caught up yet. (I shudder to think what my multiple inboxes look like.)

The one thing I was able to do consistently in September wasn’t sleeping, or working. It was thinking. I thought about me. I thought about writing. I have a million reasons for why I don’t write as often as I want to but they basically boil down to feeling selfish when I write. That time could be spent trying to earn money for my family. (Yes, writing pays, but my fiction takes six months to a year, or more, to see a return, and freelancing money helps with the bills I have now.) That time could be used washing dishes, folding laundry, cooking dinner, helping my son with his homework, doing my own homework, filling out forms, buying groceries… Writing time is stolen time, and I never quite believe I deserve to take it.

But writing is glorious, isn’t it? It’s a joy and a challenge. I feel a little empty, sometimes, when I’m not writing. I’m not wasting every day but I’m wasting a part of it, nearly every day that I don’t write, because I’m keeping myself from setting these stories loose. All I’m really doing is making myself sadder and isolating myself from the parts of me I like best. So… Fine. Okay. You win, little words. Fly.

Be free.

I am going to write now. I’m going to tell you about it. And if you catch me not writing for long periods of time again, you get to call me on it. Deal?

My current writing in progress:

FOOTSTEPS – the working title of my new novel. Status: Fully outlined. Researched. World built. Ready to write. 3000 words so far. Needs 97,000 more on the first draft. (2015)

The cookbook – a companion to the novel. Yes, it’s an actual cookbook. I’m not sure anyone will see it, but it’s where I’m collecting the recipes that I’m writing for the novel, info on foods, growing advice, etc.

“Last Bus” – short story. 1400 words. Written, needs to be revised/expanded. (2015)

“Lucky Old Sun” – short story. 3500 words. Written, needs to be revised. (2014)

“Space Squid” – short story. Okay, that’s not really the title, but it’s not finished yet. 800 words, needs first draft finished. (2014)

“Bug Jar” – short story, 1100 words, needs first draft finished. (2012)

“Dream of Houses” – short story, 650 words, needs first draft finished. (2011)

“Swamp Music” – short story, 800 words, needs first draft finished. (2011)

Some of those start dates are from years ago! (Yes, I know I’ve written, sold, and published other work since, but we’re talking about the unfinished stuff today.) I’ve got more, notes and ideas and stories started but stopped and then maybe reconsidered, once in a while, but these are the ones I’m most confident about being able to finish, if I put my mind to it.

I just need to convince myself that it’s okay to be selfish, a little bit, just for this. I can write and still find a way to pay my bills. (You can help with that, if you’d like.) If I can believe that I can write without ruining everything else I’m trying to accomplish, at least not the most important parts, then I can allow myself the time I need. Not much time. An hour a day, maybe? That’s more than I’ve let myself have in a long time.

Hello, October. Let’s see how well I do.

Big Life Change: I’m going back to college (and how you can help)


It was a tough decision. Being laid off from my job last month means that I have the time now to finally finish up my degree, and to actually switch to a major which will make me much more employable than my previous work in Art History. But with no opportunity to get Pell Grants or loans for school, I’m not being paid to attend college — I’m just adding full time school to my regular life, and without a day job right now, I’m already struggling to make enough money. How do I decide to spend money on college when I don’t know whether I’m paying my rent in a few days? How do I not go to school when I have this opportunity now, it will make me more employable, a much better freelancer, and generally a more useful person?

Ultimately, I decided to do my best, and make this work.

I’ll be going for two semesters at community college for an AS in Business Management, and then two semesters at state for a BS in Business, Economics, and Management (with a minor in public administration). I still need to come up with part of the tuition so I can start school — asap! — but I’ve been awarded grants that will cover 80% of classes and books, maybe a little more. It’ll be tough, balancing work, kid, and full time college, but hopefully I can get to where being unemployed and in debt is somewhere I never have to be again.

That’s if I can find the rest of the money to get started. If any of you have ever wanted to take a workshop from me, hire me as an editor, proofer, book designer, anything — or even loan me money until after the semester starts, now would be the time that I really need it.

How you can help:

  • I’m happy to offer a discount to anyone who books me for editing this month. Take advantage of me!
  • My next workshop — Plotting the Short Story — begins on the 15th. If you’re interested in a low-cost online workshop, packed full of exercises and advice from me and your fellow students, please check out my upcoming workshops. With school and work, I’m not sure how many of these (if any) I’ll be able to offer next year. Now’s the time to join us!
  • Don’t need any work done now but you’d like to help me buy textbooks and school supplies? You can donate to me via PayPal.

If you’ve got other work you’d like to discuss with me, need a mailing address, or have questions, please feel free to contact me at cuinnedits at gmail.

Thank you.

* At some point I should probably also tell the story of I used up all of my federal grants and maxed out my student loans going to the University of Pennsylvania, only to have it run out one semester before graduation… But that story depresses me so much. Maybe next time.

Yes, I Will Write For You!

This week, I got an email from a publisher who wanted me to submit to his new magazine, but wasn’t sure if I did that sort of thing. I realized that I don’t often talk about the writing I do by request… But I am a freelance writer, and I’m always open to doing more work on spec. So, if you want me to write a story for your anthology or magazine? Just ask! I’m happy to write fiction and nonfiction, provided the market pays above a token rate. I will prioritize writing projects to favor those which pay on acceptance first because writing takes time and I have bills to pay, but if your project pays on or after publication, please still feel free to contact me about it.

If you’re not familiar with my work, you can start here. My list of fiction publications is here, and my nonfiction publications are here.

Please use the contact form below to tell me about your project:

Thank you!


Writer Wednesday: Wesley Chu


1. Your first two novels are scheduled to be published by Angry Robot books this year. You originally submitted during AR’s “Open Door Month” in 2011. What was that process like?

The Great Angry Robot Open Submission was probably one of the most fantastic and angst filled experiences of my life, which is unusual for me because I usually live a pretty happy, zero-angst life. I’m like a cross between that singing meerkat in Lion King and a Labrador Retriever.

The robot overlords, Marc Gascoigne and Lee Harris, opened their doors to subs for one month in March of 2011. The subs went through four levels of review, from query and chapters, full manuscript, editorial and finally to acquisitions. At the end, out of a nearly a thousand submissions, twenty-five manuscripts made it to editorials and five received deals. The entire process from submission to signing the deal took fourteen months.

An added bonus about the open sub process was that fourteen of us in the editorial stage bonded on the Absolute Write forums and created our own social Group: Anxious Appliances. Since our inception, we’ve been the most active writing group on AW. Not gonna lie. Those guys kept me sane. I got pretty batshit crazy as the process drew to a close.

2. Once your book was in to the final stages of consideration, you got an agent. How did you find yours? Looking back on it, should you have started looking sooner, or waited longer?

I did query an earlier draft of The Lives of Tao a few years ago. I received some great feedback, and a request for a rewrite, but things fell through. It was still a great learning experience and helped me develop as a writer. It’s fair to say the book wouldn’t be what it is without the suggestions and changes I made from their critiques. I took a year off from the book and then rewrote it with a fresh pair of eyes.

After the manuscript was promoted to editorial during the open sub, I leveraged the potential deal and began querying again, and received offers from two agencies for representation. I was very fortunate to sign with Russell Galen of Scovil Galen Ghosh, who was one of my top targeted agencies. What better person to lead your career than the guy who represented the authors that wrote the books and movies you grew up with (Blade Runner, Total Recall, Minority Report, Screamers)?

3. You have a wife, an executive-level job for a major corporation, family, friends, and a dog. How do you find time to write?

There’s a lot of time in the day. You just have to figure out how to prioritize what is important and what isn’t. I admit to being an OCD kind of guy. I am a single purpose driven machine, like a Phillips screw driver.

During my hardcore martial art days, I used to drive an hour to my friend Tony Marquez’s school (he was the original Kung Lao in Mortal Kombat), Extreme Kung Fu, and train at his facility. Then afterward, I drove thirty minutes to another school where I learned from a Bagua Zhang/Tai Chi master. It was four hours of training a day, six days a week. This went on for many several years.

One day, I thought to myself. “Man, I’ve always wanted to write a book. I don’t know how, but I’m going to figure it out.”

So I gave it a shot. Without knowing what I was doing, I began to write when I had the free time. Eventually, writing took over all my other hobbies. I stopped clubbing. I retired from martial arts. I quit raiding in Wow (that freed up a crap ton of time), and focused on what was really important to me. Continue reading

Writer Wednesday: Fran Wilde

Photo courtesy of A. E. Bogdan

Fran Wilde is a writer and technology consultant hard at work on her third novel. You can read her short stories online at Nature Magazine and Daily Science Fiction She can tie various sailing knots, set gemstones and program digital minions. She blogs at franwilde.wordpress.com.

1. You have two novels completed and two more in progress. Tell us about them.

Moonmaker is adult science fiction. It’s my first novel, and I’ve recently received some fantastic feedback on it. The story is pretty ambitious, given that I’d never written a novel before. I am lucky to have people who believe in it, since the process of finishing a novel and getting it out there is so complex. Moonmaker combines game building and programming with a bunch of things I didn’t know much about until I dove into the research. A friend was kind enough to loan me an astrophysicist at one point (he’s awesome), so I had some great insights when it came to moons and orbits. I did a very light query on the book last fall, but have decided to take it back into editing. A few spin-off short stories are in process too.

The second novel, Bone Arrow, is my baby right now. It’s young adult fantasy, with a lot of low-tech engineering. I was a house writer for university engineering programs for a long time, and my first job was proofreading engineering articles. The tech behind bridges and towers and a few other things got stuck in my head, I guess. But that’s just setting, and offstage background. The characters in Bone Arrow — they ran away with the book. I had all these plans for what was supposed to happen, and… yeah. They had other plans. I loved watching the story unfurl. I love hearing reactions from people who have read it.

One thing I should say is that my friends from Viable Paradise who have urged me on while writing this book, and who are a really incredibly generous source of support, even while deep in their own work, have been there from the start on this. I’m very grateful for them. In addition, I took Bone Arrow with me to Taos Toolbox last summer. After an all-night plot-breaking session with my roommate and several amazing upcoming writers and friends, I’d grown a whole new grasp on how to plot story. Bone Arrow and the stories that come after are much stronger for these experiences.

The third novel is set in the same world as Bone Arrow, and the fourth is a distant-future offshoot of Moonmaker.

2. What short fiction publication are you most proud of, and why?

All of them, for different reasons. If you press me, I’d say, so far, the 2012 Nature story, “Without.” It’s short, but there’s a lot in it. I’m proud of it mostly because the story wasn’t working, even after a critique. Then I quit taking one character’s side over the other and let both characters have completely valid points, as they saw it. Then it worked. That was an important lesson.

3. You’ve interviewed an impressive collection of genre authors for your “Cooking the Books” project. Where did you get the idea to talk about writing by talking about food?

I’m having a ridiculously fun time with Cooking the Books. I’ve gotten a lot of encouragement along the way, especially from author A.C. Wise and all the writers who have agreed to be interviewed so far.

Back in a previous life, I interviewed a lot of people for work. I missed doing it. When I started the column, it felt a bit more risky: this time I was interviewing people not for a client, or a journal, but because I really cared about the answers, for me. It’s exciting and terrifying all at the same time.

The whole thing started at Viable Paradise. Steven Gould (who not only has a new book out, Impulse, but is running for SFWA president – go check him out!) and I were talking about a recipe I had in the back pages of a foreign service cookbook. The recipe was for “Elephant Stew.” (the book also had “Stuffed Camel” and something for cobra.). The first direction is “Cut elephant into bite-sized pieces.” Steven Gould said “That sounds like a recipe for a novel.” I asked him if he’d say that in print, and we were off to the races. Shortly after, Elizabeth Bear and Gregory Frost agreed to interviews – and then people began suggesting others who might like to participate as well. I had a lot of fun interviewing more of the Viable Paradise faculty last fall: author James D. Macdonald, Macallister Stone (of Absolute Write), Bart, and author Steven Brust. The December interview with Aliette de Bodard was just amazing, and the upcoming interviews — well, they’re going to be awesome.

I’d love to have a dinner party with the recipes. Except for the marmot. And Joe Haldeman’s foxhole pizza. Also, we’d need more beverage recipes to pull off a good party. I’m also dreaming up ways to do a Cooking the Books game show at a convention.

4. Which fictional recipe would you most like to try?

Oh gosh. All of them? I love new tastes. I might skip the alien food from Neal Stephenson’s Anathem.

I’m a little limited by food allergies in real life, so that’s probably why I like fictional food so much.

The best source for someone who makes fictional recipes come to life is Chelsea over at Food Thru the Pages and the folks at Fictional Food. Not only are the recipes fantastic, the photography is gorgeous.

5. You attended Viable Paradise in 2011. Now that you’ve had a year to process that experience, what stands out in your memory as the best moment of the workshop? Continue reading