This path leads to madness and ruin. Maybe.

I finished moving my scattered notes over to the Drive spreadsheet I’m using now, and updated this post accordingly. Having a detailed tracker helps me to see:

  • My acceptance rate from 2010 to 2013 is 54%
  • I submitted twice as much in 2010 as in any of the years after.
  • I earned $720.94 for those acceptances, from a total of 9 paid sales, with 11 unpaid acceptances (including one I donated to an anthology). The whole of 2010, I only made $7.

It’s tempting to stay on that path – submitting to places I’m fairly certain will be happy to have my work, waiting to be invited to an anthology. There’s a lot less risk involved when you’re not opening yourself up to the possibility of failure or hurt. But, at the beginning of 2014 I resolved to try a new path: no more writing for free, with the exception of a handful of literary markets, and no more letting months go by between submissions.

This means I have to write more, finish the pieces I have started, have them read/critiqued/edited, revise it, and submit. It’s also going to mean a lot more rejections, as I move from smaller markets where I was a big fish, to bigger markets where I’m a tiny guppy. I’ve sent out four submissions this month so far, and three have already been rejected: two form rejections from Clarkesworld, and a personal from McSweeney’s Internet Tendency:

Hi Carrie –

This certainly has its charms, but I’m afraid I’m going to pass. Cracks more smiles than laughs. Appreciate your considering us, though. Hope you’ll try again sometime.*

I’ve put a counter in the top right corner of the site to share my progress this year. Feel free to poke me if you haven’t seen it change in a few weeks.

I don’t know if this experiment will result in me moving up to the next phase of my writing career, or just depress me into a drunken stupor. But I do know that I don’t want to stand in the way of my own happiness, letting my fear or worry keep me from achieving my goals or creating the life I envision for myself.

Risk it is, then.

* A rejection like that is not nothing, but it’s still a “NO”.

Stats: Submissions, Rejections, Acceptances, and Notes from my writing career to date

My amazing writer’s group* has been comparing the number of rejections we’ve all had in the last few years. Rejections are a measure of success because they mean you’ve been submitting your work, giving it a chance to be sold. Other folks in the group have 200, 300+ rejections, which means they’re submitting over a hundred times a year.

I haven’t submitted 100 stories in my lifetime.

I went over my notes from 2010 to now, and compiled my stats:

I have submitted 37 pieces (1 essay, 1 poem, and 35 fiction submissions) so far.

Sold/placed 24, had 13 rejections.

The rejections represent 9 pieces I haven’t yet been able to place (including a couple that I’ve trunked now). Of these, two ended up in my collection, so I’ve sold them that way, but they weren’t accepted by someone else.

4 personal rejections, 5 form, 3 maybe-form rejections, one “market closed while my piece was on sub”.

Of the sales, one was a reprint, a couple were micro-fiction, one was a pro-rate story (“Call Center Blues” to DSF)**, one was non-speculative noir. Three were for invite-only anthologies, and one of those was the essay. Less than 1/2 of the paying sales were for flash, which surprised me; I always thought of myself as more successful with flash, and it’s true that I’ve sold nearly all of it that I’ve written, but I’ve made more sales overall of longer pieces (for $) which means I must be writing more short stories than I thought.

This doesn’t count all of the non-paying non-fiction work I’ve done: guest essays, podcasts, blog posts, and my columns for Functional Nerds and SF Signal. Those weren’t things that were really going to be rejected, and other than building my resume/fan base, they don’t help my fiction career.

On the upside, my acceptance rate is pretty high, but that’s because I carefully research my markets, very selectively submit, and haven’t been subbing to many pro-markets. I didn’t aim low but I didn’t aim too high, either. I’ve started to change that this year, with my first submission of the year to Clarkesworld Magazine (and my first rejection, from them, 48 hours later).

As I get more out, I know my enviable ratio is going to drop like a stone. That’s the price of moving forward, and I’m willing to pay it if it means a more successful 2014.

* which includes Julie Day, Michael J. DeLucaAdam MillsDon PizarroAngela Still, and Bonnie Jo Stufflebeam. Aren’t I lucky?

**  which made me eligible for the Campbell in 2012 and 2013, but I never felt I’d sold enough to warrant publicizing myself as such, and I’ve now expired out.

Self publishing stats: Women and Other Constructs, First 30+ days

When I published my first collection of short fiction, I said I would add up the stats after 30 days. The highlights:

  • The book cost me $0 to create. I did every bit of the work myself: writing, editing, page layout, cover design, and art. Ebooks and print-ready PDF, too. I also did the distribution, setting up for a variety of ebook sales, and print via Amazon. I chose methods that didn’t have any up front cost at all. The only thing I paid in advance was $10 a month for the online shopping cart.
  • The fiction in the book was worth $462.21–based on a $0.05 per word minimum pro rate for the new writing, and the standard $0.01 minimum reprint rate.
  • I published the book on June 28, and calculated income for the end of June/all of July; that’s about 33 days.
  • I made a total of $195.31 over that time. I haven’t been paid for all of it yet, but that’s the calculated income.

Doing the math

The stories were six reprints I’d previously published, and two stories I hadn’t sold before, along with an intro and notes at the end. Continue reading