Where to Start When You Want to Start Reading My Work (Fiction)

If you’re new to me as a writer (hi there!) or you’ve read a story here or there and you’d like to read more in the same vein, this sorted list might help you choose what to read next…

If you like fiction with female main characters:

If you like fiction about love, sex, and relationships set in SFF worlds:

If you like HPL-inspired/Mythos fiction:

If you like horror:

If you like fiction about robots:

If you like fiction about zombies:

  • “Mitch’s Girl” Edge Publishing’s Rigor Amortis anthology. October 1, 2010. (TW: zombie sex!)
  • “Dear Mom, This is Serious” Livingdead Press’s Emails of the Dead anthology. September 2010.

If you like mad science:

If you like noir:

  • A Different LeagueMondays are Murder web series, Akashic Books. August 26, 2013.

If you like darkly humorous or otherwise happily-ending stories:

If you want to be sad when you’re finished:

If you like stories with fighting, hunting, or soldiers:

If you like stories about books and maps:

If you like flash fiction of any stripe:

If you like Twitter Fiction:

If you like poetry:

And, if you want to read a bunch of these stories all together, please check out my first collection, Women and Other Constructs (published June 2013). Get it from me (print, epub or mobi), or from Amazon (print or Kindle).

Note: This list is presented with the most recent sales/publications first. When the story name is hyperlinked, click to read it for free online; if the title of the publication is linked, you can buy it online as well.

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Book Review: Dial M for Monkey

3 of 5*

Only 60+ pages; this quick read can be started and finished in well under an hour, and that alone makes it not a waste of time. The stories are a mix of “high impact” and “needs an editor” – I kept wanting to revise or strike his last lines, over and over.

Maxwell sticks to a format of “Here’s the story, wait, no there’s a twist coming up, TWIST”, expanding it sometimes to “Here’s the story, wait, no there’s a twist coming up, wait for it, wait for it, really I mean it, keep waiting, TWIST, he he he” for most of the collection. Most of the characters are middle-aged, blue collar, London-area blokes, and a lot of the humor is crude (“He got hit in the balls with a block, lol” type of stuff.)

Probably the best are “I Almost Spanked A Monkey”, “Sprouts” (which is one of the few near-genre stories in the book), and “Is That To Go?”. All use Maxwell’s preferred format successfully, and none go on too long.

The longer pieces aren’t quite as good as the flash, IMO, but at the same time Maxwell brings in an earthy, working class, feel to his fiction that I don’t often see in lit flash. It’s an important perspective because it’s not often published, and some of the pieces do work very well. Don’t read it because it’s the best ever (it’s not) but it is a valuable use of an hour, even if you’re only learning what not to do yourself.

What I’ve Been Reading: Rickert, Burstein, Sharma, Tobler

This week’s reading was a collection of stories I randomly discovered online, either because someone recommended it, or because I stumbled it across it while looking for something else.

The Mothers of Voorhisvill”  by Mary Rickert, Tor.com (novella)

5 out of 5 stars

There is a grandeur to Rickert’s work which is almost immediately obvious but not overwhelming. You begin to read the tale she’s written, sentences unfolding simply, with hints of strangeness, until a few paragraphs in you start to see the edges of the world she’s created — and it hits you. It’s never “let me tell you about every aspect of this setting for three pages before anything happens”. It’s not “this happened and then this happened and then this happened”. She understands her characters, where they live and how they move about in that place, so well that when she writes the story, it’s just you (the reader) and them (the fictional characters), having a dialogue.

Reading Rickert is like listening to the chatty neighbors you’d never noticed until they happened to be the most fascinating people you’ve ever met. You’ll find everything you’re looking for by the time it’s done.

The shape of this story is as a series of interviews conducted with various women who’ve, they admit at the beginning, done something terrible, or wonderful, and now they’re explaining why. There’s contrast between the things they’re admitting, the events they’re saying didn’t happen quite that way, and and the moments of “well, sure, it did happen, but she’s completely wrong about the way she describes it”. We read how the women see not only the events of the story but their own worlds so differently from one another. All the pieces of “Mothers”, not disparate but simply not the same, weave together until what you finally have is so large, so monstrous and beautiful and greater than you’d imagined, that “grandeur” is the best word to describe it.

There are definite hints of Witches of Eastwick, and Nightvale, but there are sensual details — the hundred scents, the beauty of light, of women, of creative arts — which swell as the women do, breaking free from other influences. Those details carry on as the story changes, gets darker and more desperate, breathing life into individual moments with the names of board games, the color of jam. It’s real without being weighted down; terrible in the way that it makes perfect sense. I continue to be in awe of Rickert’s ability to tell a complete story, full without going on for too long, like a ripe peach on the last day before it’s plucked and eaten.

Kaddish for the Last Survivor” by Michael A. Burstein, Apex Magazine.

2 out of 5 stars

A SF tale about Holocaust deniers? You might think it would be preachy, pointed, too invested in its message, and Burstein’s story is all of those things. It was also nominated for both the Hugo and Nebula awards in 2001, and it’s worth figuring out why. Continue reading

Writer Wednesday: Jessica May Lin

JMLheadshot

JMLheadshot

Today’s writer is Jessica May Lin. I discovered her when I read her amazing flash piece, “Mortar flowers”, in Nature‘s Futures section, and then read her “Dark, Beautiful Force” at Daily Science Fiction, found out we have friends in common, she’s going to school in the first town I moved to when I left home after high school, and she’s a fellow Codexian. Naturally, I had to ask her a million questions. (Okay, ten. Ish.)

When she’s not writing, Jessica is a student at UC Berkeley. She is also an acrobatic pole dancer. You can find her at www.jessicamaylin.com.

1. How does your life as a full-time university student inspire and/or detract from your writing? Does your major influence your writing, or do you keep the two separate?

I think the exciting thing about being a student is that every day, you get tons of new stuff thrown at you from all sides, which is inspiring in strange ways. Once, after being unable to fall asleep all night, I misunderstood some theory my physics professor was describing, which eventually inspired me to write a story with the title “The Insomniac’s Guide to Collapsing Universes.” I’m majoring in Comp Lit, which has introduced me to radically different ways of storytelling that depart from the Western emphasis on plot and interiority, my two current favorites being Chinese vernacular literature and Soviet avant-garde cinema.

That aside, my writing life, my student life, and my dancing life are all pretty different from each other with very few overlaps, and I like to think that each one engages a different side of myself. It’s kind of like living in 3 different worlds at once with the ability to jump between, but I like it that way. When I get overwhelmed by one, I can easily slip into another. That way, everything I do always feels fresh.

2. What local authors groups or online communities do you actively participate in?

I’m very close with the Odyssey Workshop Class of 2012, who are the first writer friends I’ve ever had. It’s been pretty exciting, watching their careers blossom over the past year and getting to cheer them on from the sidelines. More recently, I made a lot of new friends at Taos Toolbox 2013, who I’m still in touch with. I’m also a member of Codex Writers Forum, which is a supportive, insightful resource that throws the best contests.

3. You’ve written and published some excellent very short fiction. You’re also working on a novel, A Dream of Burning Cities. Do you prefer one kind of writing over the other?

I’m a novel person through and through. When I get an idea I’m super excited about (which happens like, once a year), I want to hold on to it and explore it in as much depth as possible. Sometimes I think I get too invested. I do feel like there’s more room for experiment in short stories though, so every now and then when I stumble across a catchy concept that I can’t stop thinking about, I will write a short story.

4. Which publication are you most proud of, and why?

The bit of writing I am most proud of is actually something I wrote this summer. It hasn’t found a home yet, but I like it because it forced me out of my comfort zone. It was definitely a risk, but one I’m glad I took.

5. You’ve already attended a couple of writing workshops (Taos, Odyssey), which is unusual for a young writer so early in her career. What did you get out of those experiences, and which workshops do you want to attend next?

Before attending workshops, my writing was pretty much an explosion of feelings and ideas without much organization. I liked painting pretty pictures with my words, but I had no idea what a plot was… I think I’m much more disciplined now. Also, I’ve met some incredible people and mentors, who have been there for me through thick and thin. However, I think I’m done attending workshops for a while. For me, there are two parts of learning to write, which are 1) learning to write and 2) living and growing. I’ve been spending a lot of time learning to write but I don’t think I’ve been on an adventure in a while, so I think I’m going to do that next summer. Continue reading

Review: In Search of and Others, by Will Ludwigsen

4* (our of 5) for “In Search Of”. It’s a weird format–a list of facts about your life that you didn’t know. But in telling you these things, Ludwigsen tells you who you are–a man who became a cop, who wasn’t everything he wanted to be but wasn’t nothing, who lost more than he thought and didn’t hold on to the woman who loved him the most. The kicker at the end makes it all worthwhile.

4* for “Endless Encore”. What looks like a simple ghost story becomes more with the addition of tangible details; you stop thinking of it as a story written on a page. The color of a dress, the time of day, the wood and stone and the dialogue of a jealous preteen, all blend together into a real moment.

5* for “The Speed of Dreams”. Once again, Ludwigsen presents you with one story and then kicks you in the teeth at the end with the other story he’s been telling all along. You’re watching it move along and take this twist and then you’re thinking, “No, no, don’t go that way…” but it does. I was left at the end wanting to tell her not to do it, but by the time we’re reading it, it’s too late. Continue reading