publications

New Lakeside, New Publication, and Readercon

We launched the second issue of Lakeside Circus over the weekend with a brief Letter From The Editor, followed by the outstanding short story by Fran Wilde, “The Naturalist Composes His Rebuttal”. We paired it with a podcast — our first — read by Don Pizarro, who’s not only contributed a story to this issue but has been working tirelessly with me as our audio producer.

Fran said, “Bravo, Don BRAVO. This sounds exactly as I’d imagined it,” so take a moment and listen to it here.

You can see the full issue Table of Contents and publishing schedule here, along with links to subscription options. Please do consider subscribing if you haven’t yet; the more readers we have, the more podcasts and stories I’ll be able to fund.

My story, “How to Recover a Relative Lost During Transmitter Shipping, In Five Easy Steps“, is now online at Unlikely Story, for their Cartography special issue. Though it is technically about a map, for me the story is more about the idea of a map as a description of the places you’ve been along the way to where you’re going. The map you draw for others isn’t always accurate, even though you may think it is. The path is bent as you react to obstacles along the way, or filled in from hazy memories and half-guesses. Looking back, you’re tempted to see the past as the whole of the map, when it’s only your perspective on display. It may be true. It might not.

“How to Recover a Relative Lost During Transmitter Shipping, In Five Easy Steps” is told as an interview with a woman who accidentally became part of something enormous, when she thought she’d lost someone whose impact was only enormous to her. Here’s an excerpt:

Interviewer’s note: Amrita Chakrabarty agreed to this meeting only after several concessions were agreed to. First, that we wouldn’t discuss the contentious court battle she and her family had only recently settled; second, that we wouldn’t discuss the theoretical science in more than a passing way, as it applied to the events themselves; and third, that I didn’t ask about her relationship with her younger brother, Shikhar, beyond what she was willing to disclose on her own. The reader, no doubt already familiar with the hundreds of other articles on what’s now called “The Chakrabarty Wormhole Map,” can piece together for themselves why that might be the case.

Q: Let’s go back to the very beginning. What was your first hint that your brother and his friends had done something monumental?

AC: Nothing feels monumental until after it’s over and you realize what’s happened. This thing, which is so huge and impossible to escape now, was annoying to begin with. Frustrating, and then scary, but looking back, I can see why it’s been painted as something of an adventure. That sounds fun, right? A grand escapade.

The title of your book, which comes from the first set of instructions you wrote, makes it sound simple.

Yeah, that was a marketing thing. It wasn’t simple at all.

You can read the rest of the issue here. It also includes work from Sarah Pinsker, Rhonda Eikamp, Kat Howard, James Van Pelt, and Shira Lipkin.

I don’t have the schedule yet, but I’ll be on a panel at Readercon discussing imaginary cities and invented cartography, along with other folks from the Unlikely Story issue. Last version of the description I read was:

This summer, Unlikely Story will publish their Unlikely Cartography issue, featuring stories by Shira Lipkin, Kat Howard, Sarah Pinsker, Carrie Cuinn, and others. Together with editor A.C. Wise, these authors will discuss their stories, and other authors (historical and modern) who similarly explored the cartography of the fantastic. Influences and discussion topics may include Calvino’s Invisible Cities, Eco’s Legendary Lands, Post’s Atlas of Fantasy, Mieville’s The City and the City, and more.

I can’t wait!

Coming back around to Lakeside Circus again: I’ve update the website to include a main page button for podcasts (like we already had for short stories, flash fiction, and poetry), included the Issue Two information, and added rotating news posts to share important information on the front page. We’re keeping the design simple to translate well to your mobile devices, but still want it to be useful, easy to navigate, and aesthetically pleasing. Take a look?

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Update – Sales, Award Nominations, Car Wrecks, and Massive Debt

First, the good news. I’ve sold two stories this week:

  • “How To Recover a Relative Lost During Transmatter Shipping, In Five Easy Steps” to The Journal of Unlikely Cartography (Unlikely Stories #9), due out June 2014
  • “Image Du Monde: Myrrour of the worldes” to The Starry Wisdom Library anthology from PS Publishing (Britain), September 2014

“Five Easy Steps” is a short story I started last year (I excerpted my work in progress here). The editors didn’t quite love the unreliable narrator as much as I did, but liked the story enough to send me a rewrite request. My policy on those is always “Yes, thank you for giving me the opportunity”, so I thought on it for a few days, came up with a framework that left my original story mostly intact but gave some of the perspective the editors were looking for, and resubmitted it. They bought it! It’s my first appearance in Unlikely Stories, and I’m sharing the ToC with a bunch of authors I like and respect.

“Image du Monde” was a commission – the editor had heard of my work from someone else, and contacted me through my website. It’s a flash piece written in the style of a catalog entry, mixing my background in books at art objects with obscure history and Lovecraft. I was happy to do it, and the editor called the finished piece “fantastic!” which is always great to hear.

Note to editors: I’m always open to commissioned work. Fiction or non-fiction (editor Nick Mamatas wrote about me getting involved with his essay anthology here). Please contact me with proposals and information.

Also, the SHE WALKS IN SHADOWS project got funded, so I’ll be writing a story about Anna Tilton (“The Shadow Over Innsmouth”). The story is due at the end of the year, and the anthology will be out in 2015.

Seems I’ve been suggested for the “Best Fan Writer” Hugo award. This isn’t a nomination, and I’m not going to be nominated (my personal vote is for Natalie Luhrs) but in the process I was asked for some examples of my writing on genre, fandom, and writing. If you’re new to my work, start here:

wreck

The bad news…

Monday morning, I totaled my car in an accident. It wasn’t my fault – I slid down a hill due to ice, the other driver was speeding and couldn’t stop in time. The police declared it an unfortunate accident, one of three in the same spot within a few minutes, and no one was ticketed. (They did warn the other guy about “speed under conditions”.) I ended up with bruises, trouble breathing for a few days (hit the steering wheel/airbag), and a minuscule fracture in one of the little bones of my hand.

hand

Colorful!

It’s been pointed out to me that I should be grateful to be alive, and I really am. At the time, I was shook up and didn’t put the pieces together – the front of my car was mangled even though I was only going 20 mph, the impact was so bad my airbag deployed and my rear window was popped out of the frame, and the other driver couldn’t fully stop until he was a block away. When I started going down the hill to the intersection, I’d applied the brakes – and nothing happened. I stood on the brakes, saw the other guy coming, hit the horn (how my hand ended up between me and the steering wheel), and none of it helped. Standing on the side of the road, couldn’t stop crying, the smell of gunpowder on my clothes from the airbag, I kept thinking about how I’d done everything I could, even veered to the left at the last moment to make sure I hit the guy’s back end instead of his passenger, and none of it mattered.

Except, maybe it did. If I entered the intersection two seconds earlier, maybe one, he’d have hit my driver’s side door going 50. Instead, we all walked away.

The really bad news…

I’ve got $1000 in deductibles (medical and auto) to pay. I’ve got the difference between my car’s value according to the insurance and what’s left on the loan. Since I’d just traded in my old car on a 2014 three months ago, that’s a couple of thousand (I’ll know the exact amount next week). I missed a day of work at my office job, and because I needed to come home and rest every night, I’ve lost at least one editing job, maybe two. I’m still recovering, still depressed about all of this, going to sleep at 8 or 9 pm every night, and I haven’t got the energy to check my email. It took me four days to put this post together.

I have to find a way to get the money to pay off the bills and loan, just so I can break even. Then I have to get another car, because where I live, I can’t not have one. There’s a bus that would get me to work and back (three buses, technically, but I don’t mind that) but none that go anywhere near my son’s afterschool program. The trip planner program actually recommends taking a bus from work and then walking a mile through the woods. Pick him up, walk another mile with the child on a road with no sidewalks, catch another bus, transfer, and walk another 1/4 mile home. I could do that most nights, depending on the weather, but my son can’t.

I’ve worked so hard the last few years, building myself up to a place where my bills were paid, I had a car, Dagan Books projects were getting paid off and Lakeside Circus wrapped its first issue. I was sharing a 1 bdr apartment with my son to save money and working two jobs but I was getting there. Even the new car was because I was getting my life together – my old one had a loan with a higher interest rate, I couldn’t refi it, but I could trade it in for its full value, get a new car with a lower rate loan, and keep paying the same amount each month so I’d pay my principle off faster. Every bit of spare cash I’ve had in the last few months, I paid toward my car. Being responsible.

Now I have debt, no car, and no idea what to do next.

At least saying all of this makes it so it’s not something I’m worrying over and focusing on; what I need is a plan, hope. The possibility of getting back on track again. I’ll be okay once I know how to make everything okay. Hard work doesn’t scare me. Not knowing does.

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Stats: Submissions, Rejections, Acceptances, and Notes from my writing career to date

My amazing writer’s group* has been comparing the number of rejections we’ve all had in the last few years. Rejections are a measure of success because they mean you’ve been submitting your work, giving it a chance to be sold. Other folks in the group have 200, 300+ rejections, which means they’re submitting over a hundred times a year.

I haven’t submitted 100 stories in my lifetime.

I went over my notes from 2010 to now, and compiled my stats:

I have submitted 37 pieces (1 essay, 1 poem, and 35 fiction submissions) so far.

Sold/placed 24, had 13 rejections.

The rejections represent 9 pieces I haven’t yet been able to place (including a couple that I’ve trunked now). Of these, two ended up in my collection, so I’ve sold them that way, but they weren’t accepted by someone else.

4 personal rejections, 5 form, 3 maybe-form rejections, one “market closed while my piece was on sub”.

Of the sales, one was a reprint, a couple were micro-fiction, one was a pro-rate story (“Call Center Blues” to DSF)**, one was non-speculative noir. Three were for invite-only anthologies, and one of those was the essay. Less than 1/2 of the paying sales were for flash, which surprised me; I always thought of myself as more successful with flash, and it’s true that I’ve sold nearly all of it that I’ve written, but I’ve made more sales overall of longer pieces (for $) which means I must be writing more short stories than I thought.

This doesn’t count all of the non-paying non-fiction work I’ve done: guest essays, podcasts, blog posts, and my columns for Functional Nerds and SF Signal. Those weren’t things that were really going to be rejected, and other than building my resume/fan base, they don’t help my fiction career.

On the upside, my acceptance rate is pretty high, but that’s because I carefully research my markets, very selectively submit, and haven’t been subbing to many pro-markets. I didn’t aim low but I didn’t aim too high, either. I’ve started to change that this year, with my first submission of the year to Clarkesworld Magazine (and my first rejection, from them, 48 hours later).

As I get more out, I know my enviable ratio is going to drop like a stone. That’s the price of moving forward, and I’m willing to pay it if it means a more successful 2014.

* which includes Julie Day, Michael J. DeLucaAdam MillsDon PizarroAngela Still, and Bonnie Jo Stufflebeam. Aren’t I lucky?

**  which made me eligible for the Campbell in 2012 and 2013, but I never felt I’d sold enough to warrant publicizing myself as such, and I’ve now expired out.

Free Story Online, and a New Podcast to Download

My most recent publication,“Call Center Blues,” is now available to read, free, online at Daily Science Fiction. It’s short, fun, science fiction. And did I mention there are robots in it?

Also, this week’s SF Signal podcast is up, and you can hear it now:

SF Signal #90, Time Travel, with me, John DeNardo, Derek Johnson, Gail Carringer, Paul Weimer and Patrick Hester.

New Sale! Details and an Update

I am thrilled to announce that my most recent sale is to Crossed Genres magazine. My story, “Monsters, Monsters, Everywhere”, was written specifically for their upcoming monster-themed issue, so it’s great that they liked it enough to accept it. I don’t often write stories to meet a certain themed magazine issue or anthology, and Crossed Genres is a market I’d been hoping to get into since I met the editors at Readercon this year. In addition to having beautiful covers, the magazine has also featured writers I admire, like Don Pizarro, Wendy Wagner, Barbara Krasnof and Camille Alexa, to name a few (links go to their CG stories online).

Maybe the next time Crossed Genres has a reading, I’ll get to be a part of it.

The issue comes out October 1, 2011, and I’ll post links once it’s available to purchase.

Also, my story “Call Center Blues”, sold in July to Daily Science Fiction, is tentatively slated to be published the first week of November.