My writing life has turned around in the last few weeks, and for you, an update:
I’ve had two stories accepted for publication. “Annabelle Tree”, 2500 words, is now available as part of the Southern Fried Weirdness: Reconstruction charity anthology (all proceeds benefiting the American Red Cross for the victims of recent tornadoes). It’s the story of a young girl, and who’s most important to you when the storms come.
When she was twelve, Annabelle’s Momma was pregnant again.
She’d known something was wrong from the way her Momma had been crying for a few months, in between getting the flu a whole bunch of times, and Daddy took more shifts at the plant and in between sat down by the creek bed, not even pretending to fish. The cool water flowing over his submerged six-pack kept the bottles cold, and it was hard to hear Momma yelling from all the way up at the house. Annabelle didn’t mind her Daddy sharing her hideaway spot, nestled into the curve of her tree, and he didn’t mind her being there either, mostly since he didn’t notice. She read her books, borrowed from the middle school library, and he drank his beer, and the tree’s thick branches moved a little in the breeze.
“Your hair’s turning green,” Jerrod Miller had told her at recess, one day in October. “Is that for Halloween?”
“It is not,” she said back, and walked away from him. But she went straight to the girl’s bathroom, and ignoring the heavy sighs and pouty faces of the girls putting on their makeup at the far end of the row of mirrors, Annabelle pulled a strands of her normally light brown hair and held them up to the light. It wasn’t much, but Jerrod was right – mixed in with all the brown were bits of green.
“You’re a freak, you know that?” one of the girls said.
“Yes, I know,” Annabelle replied, and left.
Now available for the low price of $2.99 through Amazon and Smashwords (Says the editor: “This collection of poetry and short fiction features 46 pieces from 40 different contributing authors.”)
The other sale was to an upcoming anthology of flash fiction about monsters, and my story is the tale of a fish man, told jointly from the perspective of both the creature and the scientists cutting into him:
Though it has a mouth and front facing eyes, it does not appear to breathe air, and instead has several gills hidden under heavy scales on its neck which are easy to miss. Kudos to Johnson for noticing them, or the thing might have drowned before we got its head and neck into a bucket of water.
I was born there, where the river flows into the deep lake. I have traveled upriver to mate, have seen water muddied by great hippos and in places a river lowered by heat and summer sun. I have crawled along the nearly empty river bed, me, who was born in a place so deep no light can penetrate it! I have seen all manner of fish and monsters and men. Everything has a place in the world, everything fits into each other and makes sense, except the men.
They shipped it to us in a crate filled with salt water and ice. Like a lobster, it became sluggish in water, almost paralyzed. Could it have other crustaceous qualities? Regardless, keeping the lab near-freezing was a stroke of genius on Kitteredge’s part, since it means we can open the creature up without having to euthanize it first. The boys are anxious to see its innards while the creature’s blood and bile systems are still active.
- “On the Methods of Preserving and Dissecting Icthyo Sapiens”
I’ll post a link to where than can be bought once I’ve got it.
I also have several shorts in the process of being finished, revised, or submitted. This week’s writing project has been to finish up my submission for Machine of Death 2. I wrote it, liked it, thought it came in at the low end of their suggested word count but still within the guidelines. Then I ignored it for a few days, dealt with day job and other life issues, and came back to find that now I think it needs to be longer. I’ve been working on getting that finished so I can get it out to my beta reader for this project.
That’s my writing news, and hopefully soon there’ll be more.