novel

Coming Soon, The Battle Royale Slam Book! Or, where I attack the idea of “anti-feminist” with a machete.

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Synopsis: 

Koushun Takami’s Battle Royale is an international best seller, the basis of the cult film, and the inspiration for a popular manga. And fifteen years after its initial release,Battle Royale remains a controversial pop culture phenomenon.

Join New York Times best-selling author John Skipp, Batman screenwriter Sam Hamm, Philip K. Dick Award-nominated novelist Toh EnJoe, and an array of writers, scholars, and fans in discussing girl power, firepower, professional wrestling, bad movies, the survival chances of Hollywood’s leading teen icons in a battle royale, and so much more! (Table of Contents here.)

… See that bit in the blurb about “girl power”? Yeah, that’s me.

My essay, “Girl Power”, is part of this collection and I am incredibly thrilled to be there. I’d been wanting to get back to academic writing for a while, I’ve been a fan of the story for years, I studied filmmaking and film criticism – particularly in regards to Japanese cinema – so when I heard that editor Nick Mamatas was looking for a few more essays, my hand shot up so fast you all probably heard the accompanying sonic boom.

He ran down the list of subjects already taken, and I immediate noticed the big empty space where I could make myself comfortable: a review and refusal of the “anti-feminist” label so often applied to the film, and (less often) the print versions of Battle Royale. See, this story is about teenagers, and half of the kids are girls, and they’re fighting and fucking and murdering each other, so doesn’t it have to be bad? It is a horror show. We know how those end up… meaning that the girls in this tale must not have any power or agency at all, right?

Wrong.

Sure, one the people who survives to the end is a boy, but the other one is a girl. The bad kids have a couple of slasher psychopaths and one of the most vicious? She’s a girl, too. And while they do spend the typical amount of time being catty and stealing each other’s boyfriends, the schoolgirls of Class 3-B don’t do it because they have nothing better to do. They do it because they recognize who’s got the power in their society, and they’ll do what it takes to get that power for themselves. Unlike Katniss or Bella or Babydoll, these girls make choices that directly affect their fates. Just because they’re splattered with blood at the time, doesn’t take away from their agency.

These girls are clever, resilient, independent, loving, insightful, maternal, vindictive, strong, and terrifying, when they choose to be. What could be more powerful than that?

Want to read the essay? Pre-order the book here.

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Writer Wednesday: Jessica May Lin

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Today’s writer is Jessica May Lin. I discovered her when I read her amazing flash piece, “Mortar flowers”, in Nature‘s Futures section, and then read her “Dark, Beautiful Force” at Daily Science Fiction, found out we have friends in common, she’s going to school in the first town I moved to when I left home after high school, and she’s a fellow Codexian. Naturally, I had to ask her a million questions. (Okay, ten. Ish.)

When she’s not writing, Jessica is a student at UC Berkeley. She is also an acrobatic pole dancer. You can find her at www.jessicamaylin.com.

1. How does your life as a full-time university student inspire and/or detract from your writing? Does your major influence your writing, or do you keep the two separate?

I think the exciting thing about being a student is that every day, you get tons of new stuff thrown at you from all sides, which is inspiring in strange ways. Once, after being unable to fall asleep all night, I misunderstood some theory my physics professor was describing, which eventually inspired me to write a story with the title “The Insomniac’s Guide to Collapsing Universes.” I’m majoring in Comp Lit, which has introduced me to radically different ways of storytelling that depart from the Western emphasis on plot and interiority, my two current favorites being Chinese vernacular literature and Soviet avant-garde cinema.

That aside, my writing life, my student life, and my dancing life are all pretty different from each other with very few overlaps, and I like to think that each one engages a different side of myself. It’s kind of like living in 3 different worlds at once with the ability to jump between, but I like it that way. When I get overwhelmed by one, I can easily slip into another. That way, everything I do always feels fresh.

2. What local authors groups or online communities do you actively participate in?

I’m very close with the Odyssey Workshop Class of 2012, who are the first writer friends I’ve ever had. It’s been pretty exciting, watching their careers blossom over the past year and getting to cheer them on from the sidelines. More recently, I made a lot of new friends at Taos Toolbox 2013, who I’m still in touch with. I’m also a member of Codex Writers Forum, which is a supportive, insightful resource that throws the best contests.

3. You’ve written and published some excellent very short fiction. You’re also working on a novel, A Dream of Burning Cities. Do you prefer one kind of writing over the other?

I’m a novel person through and through. When I get an idea I’m super excited about (which happens like, once a year), I want to hold on to it and explore it in as much depth as possible. Sometimes I think I get too invested. I do feel like there’s more room for experiment in short stories though, so every now and then when I stumble across a catchy concept that I can’t stop thinking about, I will write a short story.

4. Which publication are you most proud of, and why?

The bit of writing I am most proud of is actually something I wrote this summer. It hasn’t found a home yet, but I like it because it forced me out of my comfort zone. It was definitely a risk, but one I’m glad I took.

5. You’ve already attended a couple of writing workshops (Taos, Odyssey), which is unusual for a young writer so early in her career. What did you get out of those experiences, and which workshops do you want to attend next?

Before attending workshops, my writing was pretty much an explosion of feelings and ideas without much organization. I liked painting pretty pictures with my words, but I had no idea what a plot was… I think I’m much more disciplined now. Also, I’ve met some incredible people and mentors, who have been there for me through thick and thin. However, I think I’m done attending workshops for a while. For me, there are two parts of learning to write, which are 1) learning to write and 2) living and growing. I’ve been spending a lot of time learning to write but I don’t think I’ve been on an adventure in a while, so I think I’m going to do that next summer. (more…)

UPDATED! List: 130+ Asian Speculative Fiction Authors (with links)

Updated to add suggestions from the comments/email/Twitter. All authors mentioned prior to 4/3/2014 now included. If you’re not on this list but should be, or you’re on it but want me to link to a more recent story or current website, please comment below.

I’ve been wanting to expand my reading to include more international speculative fiction, and more non-white American authors. I am privileged to know a couple of brilliant writers who also happen to be Asian, and that seemed a good place to start my reading*. I put together a list of work I’d been meaning to explore, and then solicited ideas from Twitter and the SFWA forums. Most people suggested the same couple of names over and over again… while it’s, honestly, wonderful that we’ve reached a point in SF/F where these authors are being read and discussed at all, there’s so much more diversity in our fiction, if we just look for it. There’s almostover a hundred and thirty published writers on this list, and I know it isn’t everyone.

The authors are listed alphabetically by given name, so the list doesn’t imply hierarchy. I also didn’t sort by ancestry, current geographic location, or place of birth (though I noted it where it’s listed in author bios**), because the writers listed here have placed varying degrees of importance on those facts. Some work in American tropes, subverting the “classic” science fiction of the 50s, while others retell the myths of their homeland in new and unique ways. Some look to the future, extrapolating possibilities from their own experiences. There’s no one style, structure, or emotional context that can be called “Asian writing”. What these authors have in common is that they’re all of Asian descent, and they all write speculative fiction***. These authors write primarily in English—I’ve included a few translated works, but I can’t vouch for the authenticity of voice, so I tried to choose English-language stories wherever possible.

I want to thank Clarkesworld, Apex Magazine, Crossed Genres Magazine, Lightspeed Magazine, Strange Horizons, Giganotosaurus, The World SF Blog, and Daily Science Fiction for repeatedly publishing these authors. Looking for diversity in short speculative fiction? Look to those publications. (Or my own, Lakeside Circus.) When I could find it, I’ve linked to the author’s Twitter, website, blog, list of publications, and/or a sample short story. I’ve also noted if the author works primarily in YA or MG fiction.

  1. Aditya Bidikar (Indian, shorts) story: “You Cannot Fight the WarWorld SF blog
  2. Alec Austin (Chinese-American, shorts) twitter website story: “Brief Interviews with TherianthropesDaily Science Fiction
  3. Alice Sola Kim (shorts) website publications story: “Hwang’s Brilliant DaughtersLightspeed
  4. Alliete de Bodard (French/Vietnamese, shorts stories/novels, Nebula and BFSA winner) twitter website publications story: “The Weight of a Blessing” Clarkesworld
  5. Alexander Osias (Filipino, shorts) G+ twitter
  6. Apol Lejano-Massebieau (Filipino, shorts) story: “The Sewing Project” Best of Philippine Speculative Fiction 2009
  7. Amish Tripathi (Indian, novels) twitter
  8. Amitav Ghosh (Indian, novels, Arthur C. Clark award, Man Booker shortlist) website publications blog
  9. Andrew Drilon (Filipino, shorts/comics/editing) blog
  10. Andrew Fukuda (Chinese/Japanese, novels) (YA) twitter website blog
  11. Andrew Vu website twitter facebook
  12. Anil Menon (Indian, shorts/novels/editing) website blog story: “ArchipelagoStrange Horizons
  13. Ashok Banker (Indian, novels) wikipedia
  14. Benjanun “Bee” Sriduangkaew (shorts) twitter blog story: “AnnexClarkesworld
  15. Brenda “B.W.” Clough (shorts/novels, Hugo and Nebula nominee) website publications
  16. Bryan Thao Worra (Laotian-American, shorts/poems) twitter blog poem: “No Such PhiLakeside Circus
  17. Budjette Tan (Filipino, comics/shorts, Philippine National Book Award winner) twitter blog story: “The Last Full ShowAlternative Alamat
  18. Camsy Ocumen (Filipino, shorts) story: “The Day the World Lost Its Gravity” Best of Philippine Speculative Fiction 2009
  19. Cecelia Manguerra Brainard (Filipino-American, novels/shorts/editing) website wiki
  20. Cecilia Tan (novelist, editing, shorts ) twitter website publications free fiction (sample chapters/serials)
  21. Celestine Trinidad (Filipino, shorts) story: “Under a Mound of Earth, part 1Philippine Genre Stories
  22. Charles Tan (Filipino, shorts/editing) twitter blog publications story: “The Fortunes of Mrs. Yu” The Dragon and the Stars”
  23. Charles Yu (shorts/novels, John W. Campbell nominee) twitter
  24. Chitra Divakaruni (Indian-American, shorts/novels/poems, Pushcart prize) website blog
  25. Cindy Pon (Taiwanese, novels) (YA) twitter website blog sample: first 70 pages of Silver Phoenix
  26. Claire Light (Chinese, shorts) website blog publications story: “The Apocalypse ArtistStretcher
  27. Crystal Koo (shorts, lectures) website twitter publications story: “HeartlandAbyss & Apex
  28. Dean Francis Alfar (Filipino, shorts/novels/plays/editing) twitter wiki story: “The New Daughter” Philippine Genre Stories”
  29. Derwin Mak (Chinese-Canadian, shorts/novels/editing Aurora award) twitter website publications blog novella: “Kleinheimat
  30. Dinesh Rao (Indian, shorts) blog story: “The Portal PlagueThe World SF Blog
  31. Don Pizarro (Filipino-American, shorts/editing) twitter website publications story: “Combat Stress ReactionCrossed Genres Magazine
  32. Dwight Okada (novels) website
  33. Dung Kai-Cheung (Chinese, novels/plays) bio (more…)

Writer Wednesday: Wesley Chu

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1. Your first two novels are scheduled to be published by Angry Robot books this year. You originally submitted during AR’s “Open Door Month” in 2011. What was that process like?

The Great Angry Robot Open Submission was probably one of the most fantastic and angst filled experiences of my life, which is unusual for me because I usually live a pretty happy, zero-angst life. I’m like a cross between that singing meerkat in Lion King and a Labrador Retriever.

The robot overlords, Marc Gascoigne and Lee Harris, opened their doors to subs for one month in March of 2011. The subs went through four levels of review, from query and chapters, full manuscript, editorial and finally to acquisitions. At the end, out of a nearly a thousand submissions, twenty-five manuscripts made it to editorials and five received deals. The entire process from submission to signing the deal took fourteen months.

An added bonus about the open sub process was that fourteen of us in the editorial stage bonded on the Absolute Write forums and created our own social Group: Anxious Appliances. Since our inception, we’ve been the most active writing group on AW. Not gonna lie. Those guys kept me sane. I got pretty batshit crazy as the process drew to a close.

2. Once your book was in to the final stages of consideration, you got an agent. How did you find yours? Looking back on it, should you have started looking sooner, or waited longer?

I did query an earlier draft of The Lives of Tao a few years ago. I received some great feedback, and a request for a rewrite, but things fell through. It was still a great learning experience and helped me develop as a writer. It’s fair to say the book wouldn’t be what it is without the suggestions and changes I made from their critiques. I took a year off from the book and then rewrote it with a fresh pair of eyes.

After the manuscript was promoted to editorial during the open sub, I leveraged the potential deal and began querying again, and received offers from two agencies for representation. I was very fortunate to sign with Russell Galen of Scovil Galen Ghosh, who was one of my top targeted agencies. What better person to lead your career than the guy who represented the authors that wrote the books and movies you grew up with (Blade Runner, Total Recall, Minority Report, Screamers)?

3. You have a wife, an executive-level job for a major corporation, family, friends, and a dog. How do you find time to write?

There’s a lot of time in the day. You just have to figure out how to prioritize what is important and what isn’t. I admit to being an OCD kind of guy. I am a single purpose driven machine, like a Phillips screw driver.

During my hardcore martial art days, I used to drive an hour to my friend Tony Marquez’s school (he was the original Kung Lao in Mortal Kombat), Extreme Kung Fu, and train at his facility. Then afterward, I drove thirty minutes to another school where I learned from a Bagua Zhang/Tai Chi master. It was four hours of training a day, six days a week. This went on for many several years.

One day, I thought to myself. “Man, I’ve always wanted to write a book. I don’t know how, but I’m going to figure it out.”

So I gave it a shot. Without knowing what I was doing, I began to write when I had the free time. Eventually, writing took over all my other hobbies. I stopped clubbing. I retired from martial arts. I quit raiding in Wow (that freed up a crap ton of time), and focused on what was really important to me. (more…)

Writer Wednesday: Fran Wilde

Photo courtesy of A. E. Bogdan

Fran Wilde is a writer and technology consultant hard at work on her third novel. You can read her short stories online at Nature Magazine and Daily Science Fiction She can tie various sailing knots, set gemstones and program digital minions. She blogs at franwilde.wordpress.com.

1. You have two novels completed and two more in progress. Tell us about them.

Moonmaker is adult science fiction. It’s my first novel, and I’ve recently received some fantastic feedback on it. The story is pretty ambitious, given that I’d never written a novel before. I am lucky to have people who believe in it, since the process of finishing a novel and getting it out there is so complex. Moonmaker combines game building and programming with a bunch of things I didn’t know much about until I dove into the research. A friend was kind enough to loan me an astrophysicist at one point (he’s awesome), so I had some great insights when it came to moons and orbits. I did a very light query on the book last fall, but have decided to take it back into editing. A few spin-off short stories are in process too.

The second novel, Bone Arrow, is my baby right now. It’s young adult fantasy, with a lot of low-tech engineering. I was a house writer for university engineering programs for a long time, and my first job was proofreading engineering articles. The tech behind bridges and towers and a few other things got stuck in my head, I guess. But that’s just setting, and offstage background. The characters in Bone Arrow — they ran away with the book. I had all these plans for what was supposed to happen, and… yeah. They had other plans. I loved watching the story unfurl. I love hearing reactions from people who have read it.

One thing I should say is that my friends from Viable Paradise who have urged me on while writing this book, and who are a really incredibly generous source of support, even while deep in their own work, have been there from the start on this. I’m very grateful for them. In addition, I took Bone Arrow with me to Taos Toolbox last summer. After an all-night plot-breaking session with my roommate and several amazing upcoming writers and friends, I’d grown a whole new grasp on how to plot story. Bone Arrow and the stories that come after are much stronger for these experiences.

The third novel is set in the same world as Bone Arrow, and the fourth is a distant-future offshoot of Moonmaker.

2. What short fiction publication are you most proud of, and why?

All of them, for different reasons. If you press me, I’d say, so far, the 2012 Nature story, “Without.” It’s short, but there’s a lot in it. I’m proud of it mostly because the story wasn’t working, even after a critique. Then I quit taking one character’s side over the other and let both characters have completely valid points, as they saw it. Then it worked. That was an important lesson.

3. You’ve interviewed an impressive collection of genre authors for your “Cooking the Books” project. Where did you get the idea to talk about writing by talking about food?

I’m having a ridiculously fun time with Cooking the Books. I’ve gotten a lot of encouragement along the way, especially from author A.C. Wise and all the writers who have agreed to be interviewed so far.

Back in a previous life, I interviewed a lot of people for work. I missed doing it. When I started the column, it felt a bit more risky: this time I was interviewing people not for a client, or a journal, but because I really cared about the answers, for me. It’s exciting and terrifying all at the same time.

The whole thing started at Viable Paradise. Steven Gould (who not only has a new book out, Impulse, but is running for SFWA president – go check him out!) and I were talking about a recipe I had in the back pages of a foreign service cookbook. The recipe was for “Elephant Stew.” (the book also had “Stuffed Camel” and something for cobra.). The first direction is “Cut elephant into bite-sized pieces.” Steven Gould said “That sounds like a recipe for a novel.” I asked him if he’d say that in print, and we were off to the races. Shortly after, Elizabeth Bear and Gregory Frost agreed to interviews – and then people began suggesting others who might like to participate as well. I had a lot of fun interviewing more of the Viable Paradise faculty last fall: author James D. Macdonald, Macallister Stone (of Absolute Write), Bart, and author Steven Brust. The December interview with Aliette de Bodard was just amazing, and the upcoming interviews — well, they’re going to be awesome.

I’d love to have a dinner party with the recipes. Except for the marmot. And Joe Haldeman’s foxhole pizza. Also, we’d need more beverage recipes to pull off a good party. I’m also dreaming up ways to do a Cooking the Books game show at a convention.

4. Which fictional recipe would you most like to try?

Oh gosh. All of them? I love new tastes. I might skip the alien food from Neal Stephenson’s Anathem.

I’m a little limited by food allergies in real life, so that’s probably why I like fictional food so much.

The best source for someone who makes fictional recipes come to life is Chelsea over at Food Thru the Pages and the folks at Fictional Food. Not only are the recipes fantastic, the photography is gorgeous.

5. You attended Viable Paradise in 2011. Now that you’ve had a year to process that experience, what stands out in your memory as the best moment of the workshop? (more…)