Over the last few years as a freelance editor, I’ve raised my rates from my introductory offer to a level in keeping with both the quality of my work, and industry standards. As a member of the Editorial Freelancers Association and in my contracts with institutional clients, for example, my rates are competitive, fair, and most importantly, accurately compensate me for the decades of experience that I bring to each project. It took me a long time to feel comfortable asking to be paid a decent wage, and I know I deserve it.
But at the same time, I also know that I lose potential clients who can’t afford to pay a professional editor, and who instead have to turn to people who don’t have real editing experience, or not much of it, just because they’re cheap. Worse, some authors skip the editing process all together. I love speculative fiction, I love the genre community, and I have stressed – a lot – over the conflict between paying my rent and helping those who could really use it.
I’ve recently introduced new editing packages to further tailor what I’m offering to a client’s needs, in hopes that no one is paying more than they should. I’ve been taking clients with budget constraints as they come to me, without advertising, whenever I can. I’ve offered sales, and I’ve quietly told friends and clients that if they know someone in trouble, send them my way and I’ll give them a deal. Still, I worry that I’m excluding authors who didn’t know that I’d help if I could.
So I’m introducing a new program: Pay what you want for editing services.
Tell me everything you can about your project, and what you can afford to pay for it. I’ll get you on my waiting list, and when I have a cancellation or open spot in my calendar, I’ll go down the list, first come first serve. You’ll get exactly the same services you would have if you had booked at my usual rate, but at a cost you can afford.
Of course, there’s a limit to how many low-cost clients I can take on in a single month. You may have to wait a few weeks, or even longer, before I can fit you in. And if you come to me with a ridiculous offer, I’ll be honest about immediately turning you down. $50 to copyedit a 150,000 word manuscript is probably not going to happen, since that’s a solid week’s worth of work, or two (depending on the quality of the writing before I get to it). But I’ll take every job that I can. Shorter projects may even sneak into my schedule more quickly, if I’ve got a free evening.
I want every author to have a chance at a professional edit for their work before they send it out to a publisher, or publish it themselves. Writing is hard enough. You shouldn’t have to revise it alone.
If you’re ready to get started, fill out the contact form below.