Yes, I Will Write For You!

This week, I got an email from a publisher who wanted me to submit to his new magazine, but wasn’t sure if I did that sort of thing. I realized that I don’t often talk about the writing I do by request… But I am a freelance writer, and I’m always open to doing more work on spec. So, if you want me to write a story for your anthology or magazine? Just ask! I’m happy to write fiction and nonfiction, provided the market pays above a token rate. I will prioritize writing projects to favor those which pay on acceptance first because writing takes time and I have bills to pay, but if your project pays on or after publication, please still feel free to contact me about it.

If you’re not familiar with my work, you can start here. My list of fiction publications is here, and my nonfiction publications are here.

Please use the contact form below to tell me about your project:







Thank you!

#sfwapro

Updated Workshop Schedule with Guaranteed Start Dates — Enroll Now!

GUARANTEE: if you go through the class and ultimately don’t find it useful, I will give you a free enrollment in any one of my future workshops, on any topic – no questions asked.

I always include a little one-on-one work with each student to help tailor the experience to the it individual needs.

All workshops take place in my private online forum, so you can post questions, comments, and writing excerpts without worrying who will see it. Plus, since we have deadlines of a certain day, not a set class hour, you can be anywhere in the world and still participate!

These are guaranteed start dates, and the lowest fees I will be offering in the future. The workshops are capped to make sure we don’t have too many students for me to give everyone individual attention. They will sell out, so please sign up now.

Now enrolling:

Begins August 15, 2015

“Plotting the Short Story” We will cover:

Recognizing plot vs other elements in someone else’s story? How about in your own?

Different plot structures and plotting techniques.

Fitting a whole story into different lengths: flash (1000 and under), mid-length short story (about 4000 words), and longer short stories (up to 6500 words). And, what do you put in and what do you leave off the page?

Plus! Fundamentals of storytelling, prepping (including outlining, character arcs, and plot twists) and basic editing (including how to recognize the different moments of your story so you can move them around) are also covered.

$75 for 4 weeks SIGN UP HERE

Begins September 15, 2015

My most popular workshop!

“Better Writing Through Brevity: Writing/Editing Microfiction and Flash” – read, write, critique, and edit short fiction of various lengths, including 140 characters, 1 sentence, 100 words, six sentences, under 500 words, under 1000. Previous students of this class have sold their final pieces to semi- and pro-rate SFF markets. Learn more here. (Wondering how this workshop will improve your novel? Read this.)

$75 for 4 weeks: Sign up here

Begins November 1, 2015:

“Editing 101” – AKA “Editing for Writers”. Identifying parts of a story, tenses and perspectives, narrative arcs, and other elements that are potentially affected by the editing process. Definitions, editing marks, using (and creating) style sheets, important style manuals, levels of editing, and fact-checking. The basics of copyediting: concepts and skills necessary for line editing (also called copyediting), relying mainly on the Chicago Manual of Style, 16th ed; editing vs. proofreading; tips for spotting tricky errors. The basics of developmental editing: what it is and isn’t, including the specifics of developmental editing in fiction. We’ll also cover rates, and working with clients, including querying about edits, maintaining an author’s voice, and related services. (Read more here.)

$100 for 4 weeks: Sign up here

#sfwapro

Cover and Interior Art from NOWA FANTASTYKA, Apr 2015

NFApr2015cover

Earlier this year, Polish SFF magazine NOWA FANTASTYKA translated and published my story, “Mrs. Henderson’s Cemetery Dance”. The cover is above (click on it to see a larger version). It’s my first translation and my first international publication; I couldn’t be more pleased with how it turned out.

I don’t have the right to scan/post the entire story, but I did want to share this bit:

NFApr2015int

That’s original art, drawn for my story, by Maciej Zaganczyk. It shows a disgruntled Mr. Liu chasing after the dog who stole his arm. It’s the impetus for the rest of the tale: this risen corpse, this bad dog. (And we can all agree, it was a very bad dog.)

“Mrs. Henderson’s Cemetery Dance” was originally published at Red Penny Papers, in their Summer 2012 issue, and is no longer available to read online. However, you can still get it as a part of my short collection, Women and Other Constructs, here (including free downloads).

HOW TO FAIL AS A WRITER

1. GIVE UP IN DESPAIR, AND STOP WRITING. FOREVER. PERMANENTLY.

2. Or, keep writing but:

  • Stop trying to improve. Focus on racking up publication credits, or sales, or reprints, rather than whether this story is noticeably better than the last one.
  • Refuse to listen when your writing is criticized, regardless of the quality or thoroughness of the critique or review. Only listen to your fans, the people who tell you how great you are, and suspect — quietly, to yourself, or loud and indignantly to your loved ones — that your critics just didn’t “understand” what you were “going for”.
  • Stop sending your writing out for feedback (either to alpha/beta readers before you consider it done, or publishers afterward).
  • Stop trying new things, whether it’s different genres, different styles, different markets, or different character types.
  • Complain, constantly, that your work isn’t selling enough. Post on social media that people you know, your friends and family, “clearly” don’t love you enough because they’re not forcing your work on enough people. Publicly dismiss or insult markets or editors who rejected your writing, regardless of why. Insist that your kind of writing — novels, short stories, genre, stories with a certain kind of characters, whatever — must not be marketable anymore, since you’re not profiting enough from it.
  • Tell yourself you’re a failure, every day, regardless of what anyone else says about your work. Use  your certainty that you’ll never be any good as an excuse to take out your sad/bad/angry feelings on the people who care about you most.
  • Ignore your editors, rebel angrily against them, argue with every suggestion, or decide that okay fine, this one change you’ll make and then never submit to their market again.
  • Be desperately impatient. Demand respect, sales, an answer to every email you send a prospective editor… if you think you need it, expect to get it immediately.
  • Stop reading other people’s work. Stop reading anything. Stop learning.
  • Stop living your life. Only write, and forego family, love, school, hobbies, friends, experiences — the sort of thing one generally writes about.

If you’re not doing any of the above, then don’t worry. Keep writing. Keep growing. Keep submitting. You’ll be just fine.

#SFWAPro

 

 

Where to Start When You Want to Start Reading My Work (Fiction)

If you’re new to me as a writer (hi there!) or you’ve read a story here or there and you’d like to read more in the same vein, this sorted list might help you choose what to read next…

If you like fiction with female main characters:

If you like fiction about love, sex, and relationships set in SFF worlds:

If you like HPL-inspired/Mythos fiction:

If you like horror:

If you like fiction about robots:

If you like fiction about zombies:

  • “Mitch’s Girl” Edge Publishing’s Rigor Amortis anthology. October 1, 2010. (TW: zombie sex!)
  • “Dear Mom, This is Serious” Livingdead Press’s Emails of the Dead anthology. September 2010.

If you like mad science:

If you like noir:

  • A Different LeagueMondays are Murder web series, Akashic Books. August 26, 2013.

If you like darkly humorous or otherwise happily-ending stories:

If you want to be sad when you’re finished:

If you like stories with fighting, hunting, or soldiers:

If you like stories about books and maps:

If you like flash fiction of any stripe:

If you like Twitter Fiction:

If you like poetry:

And, if you want to read a bunch of these stories all together, please check out my first collection, Women and Other Constructs (published June 2013). Get it from me (print, epub or mobi), or from Amazon (print or Kindle).

Note: This list is presented with the most recent sales/publications first. When the story name is hyperlinked, click to read it for free online; if the title of the publication is linked, you can buy it online as well.

#SFWAPro