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Dear Jackass, The Book Review Edition

Dear Jackass,

So you want to get your book sold, do you? And you think that a glowing review of your work will get readers interested? I have to agree with you there. There have been several books that I purchased based on a strong review by someone whose opinion I trusted.

Oh, you don’t want to show anyone the reviews where the reader thought you could have used a better editor, or thought your female characters had no agency, or bemoaned your complete lack of a believable plot? Well, sure, I can understand that. A good review tends to sell more books than a bad one. Your only choice is to keep sending your books out until you’ve found your market, and then post the good reviews you do get.

What? That takes too long? And no one likes your book? And you’re going to do what now? Buy a review?

Hello, jackass. This one’s for you.

First off, if you couldn’t be bothered to have your book edited, or didn’t want to spend the money on a cover by a professional artist, or included in your anthology stories by people you know (as opposed to people who could actually write), chances are you deserve that bad review. You can’t just throw a $50 cover on a first-draft novel that your Grandmother thought would be a “big hit” (but no one else would publish) and expect that mess of a manuscript to make you rich.

But you’ve done it, you’ve gone and gotten it published, and now you realize it’s going nowhere. Your solution is to turn to one of the many pay-for-play review services and throw money at them until they put stars next to your name. Do you honestly think that we, other writers and readers, don’t realize that Kirkus* is letting people buy positive reviews? So what if they said that you were going to be the next Tolkien. What they meant was that your check cleared.

Perhaps you think that the answer is to hold on to your money and just have a friend or relative review your book. Authors, editors, and even small presses do this all of the time – when they have no self respect or respect for their readers. As another example, I know an editor/author whose assistant writes glowing reviews of every book she’s worked on or written for. Now, it’s possible that the assistant genuinely loves her boss’ work; after all, she’s got a choice, doesn’t she? I mean, there are millions of well respected, famous authors dying to take on a young, inexperienced intern and make her a star, right?

Right.

What’s worse than the person writing the reviews (for money or other gain) is the fact that small press publishers link to these reviews on their websites, Twitter feeds, and so on, hoping that no one will notice the questionable provenance of those kind words. They’re assuming that we’re stupid. That we, as readers, won’t know any better, and will fork over our hard earned cash without caring where the review comes from.

Now who’s the jackass?

* For example. Not to single them out, as other magazines do this as well. Pro tip: if a magazine sells its review services, don’t bother reading their reviews.

** As a publisher and as a writer, I only post reviews of my books or stories when I feel they come from unbiased sources. Plenty of my writers talked about Cthulhurotica, for example, but you won’t find those on our Reviews page. Hell, my mom loves pretty much everything I write, but do you trust her opinion to be unbiased?

*** I should point out that my mom is bound to read this. I love you mom! #coveringmyass

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Folklore: Great Story Collections

Last week I started back at the University of Pennsylvania, after a year off. I’ll be finishing my last semester this Spring, and graduating with a BA in History of Art in May.

In addition to the math and biology lecture class and bio lab I must take to graduate, I also got to pick two others to round out my semester. I went with World Music (I’m writing a paper for that class that I’ll probably post here when it’s done) and Folklore: Great Story Collections. With my work in anthologies it seems like a perfect fit, and I love classes that have interesting reading lists.

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More Movies from 2011 (Which I’ve Now Seen, in 2012)

My massive catch-up from the cinematic offerings of 2011 continues (click here for part 1 of my mini-reviews), mainly veering away from Hollywood and into the independents.

Thank the Elder Gods for that.

I love a good Hollywood action/adventure type flick as much as the next person – and being a comic book geek, it’s possible I like them even more than most. But as a writer I’m always, always, looking for the story in everything, and much of the mainstream offerings lack witty dialogue, charming character building, or even something as essential as a workable plot. When you take away the car crashes and super powers and music montages, and just show us some people talking their way through a story, we can see the writer at work. Those are the movies I prefer.

I did squeeze in two more Hollywood movies – the romcoms Crazy Stupid Love and Friends With Benefits – before slipping back into familiar territory with One Day, The Art Of Getting By, Beginners, and Another Earth. Continue Reading »

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A Look At Book Cover Design

I recently made the decision to expand this blog from simply talking about writing to talking about stories. Stories told in film, in images, and – most often – in words. Though many of you know that I my field of study is art history, what you may not know is that I specifically study book history, book creation, and book art. I love Early American books the best, hand printed manuscripts on hand-made paper, pressed into a hand-built machine and gifted with words by hand-carved type bearing hand-made ink. How is that not an art?

While the evolution of book history means that the construction of most books has been industrialized (for large print runs, though there are still amazing artists making hand-crafted books, and I’ll talk more about them later) and even removed as we move into digital reading, the two places that you can still find art in a book are in the font choices, and in the cover. Some books go farther and incorporated art and design into the layout, but even the most minimal of interiors uses a font, and probably has a cover.

Book cover design is its own kind of art. It can be, when done well, its own kind of beautiful. Here are a couple of resources to get you introduced to the possibilities:

Some recent examples at The Book Cover Archive

The Book Cover Archive, “for the appreciation and categorization of excellence in book cover design”. Not only do they post their favorite new book covers, but they also offer up a blog about book design news (it doesn’t update often but I love the very visual aspect of their posts). The whole site is built around the visual so you won’t get too much design discussion but they 1300+ pages of material to scroll through give you an immersion into cover design that can’t be beat. Continue Reading »

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5 Movies I Didn’t See in 2011 (But Saw This Week)

I love movies. I love how a great director and great actors can take a script, which is just the skeleton of a story, and flesh it out with sets and sounds and camera movements and jump cuts to make emotions. Turning it into the warm body of a film, with strength and heart. When I was young I attended the Academy of Art in San Francisco, and worked on a degree in Screenwriting (with a minor in Cinematography), wrote a few films (and saw them produced), and learned a lot about the film-making process. Though I figured out that screenwriting was basically organizing thoughts and notes to create an outline for someone else to finish – and therefore not enough to keep me interested – I still use some of what I learned then in my writing now.

When I went to UPenn I studied mainly Art History – which is one of the best degrees for a writer in terms of teaching you about art, culture, history, and how to think – but I also got a chance to take a couple of film criticism classes. I loved them! I’ve done classes on Japanese film, both pre-WW2 and post, noir films, and adaptations, and those four classes together showed me most of what is being put back into (recycled, adapted, homage’d) modern movies. Over the years I have learned to write screenplays, see a script cinematically, and think critically about film. But the biggest thing that informs my view of film is that I have watched so many of them. I’ve even worked in movie theaters in order to have access to all the celluloid I want. This has led me to watch a lot less “Hollywood” blockbusters, because I can see the predecessors in the work. Which is to say that I’ve watched enough classic, indie, and foreign films to know all the myriad ways that Hollywood is ripping them off. Why pay to see what’s already been done, and often done better, by someone else?

I ended up only seeing one movie in theaters in all of 2011, my all time low. I saw Contagion, which was wonderful, and that was it. This had, honestly, more to do with my year than with what was available, and so I started off 2012 by renting a handful of “hit” movies that I actually had wanted to see. In the last three days I have watched the final Harry Potter film, Super 8, Captain America, Thor, and Fright Night. What did I think?

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Bits and Pieces #1 – We All Have To Eat

First in an ongoing series about the little things we sometimes take for granted when we create characters, settings, or worlds. See the Bits and Pieces category for all the posts in this set.

I believe that to write interesting, complex, and well-rounded characters, you need to know who they are. The little things which make up who your characters are also influence your stories in ways you may not expect. As you flesh out these people who live in your world, the one that you’re making up and telling us all about, their needs and wants and character flaws direct their actions. Knowing who they are helps you to see the story they’re living in, which may or may not be the one you intended them to have. But it will be a story that feels true to you and your readers.

When’s the last time that you wrote a character where you knew what he ate for breakfast every morning? What’s the weirdest thing you’ve ever eaten? What’s the strangest thing that you eat on a regular basis? What does your coworker eat? You know that thing that she brings from the corner market that isn’t really bad food but odd in a way that you can’t understand why she thinks it would taste good? What is the food that you absolutely won’t ever eat? You just can’t stomach the taste, or the texture, and so you never order it.

We all have these little quirks of our diet.

I like chicken noodle tacos. I take corn tortillas, fry them in butter until they’re soft (which just a little bit of a crispy edge), and then heat up a can of chicken noodle soup. I strain out the liquid, wrap the noodles in the cooked shells, and enjoy. I started doing when I was 20, living in my own apartment, and so poor. I don’t remember why I put these two things together, except that it must have been the cheapest food I could find, and I don’t eat it often. But – I do still think it’s pretty tasty.

You know what else is tasty? Pepper bacon, wrapped around Cool Ranch Doritos. I dated a big Russian guy who loved this combo – and while I recommend cooking the bacon, he actually ate it raw. I’ve tried that, and it was good too. While I have a pretty wide palate, and cook and enjoy foods from many different cultures, I don’t eat beans. I know I should, they’re a great source of protein, but I hate the texture. I’ve worked on this and over the years I’ve gotten to the point where I can put some refried beans into a burrito but not a lot. Continue Reading »

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Holiday Traditions

I don’t have a lot of family traditions. Growing up we had big family Christmastimes that weren’t about religion – we rarely prayed before a meal and didn’t go to church – but over time my family drifted off or passed away, so there aren’t reunions to go to anymore. I don’t go “home” for the holidays. I don’t get carried away with decorations and for the most part I don’t spend money on the trappings of holiday cheer. I would never buy a Christmas tree just to fill up my living room with something expensive, flammable, and dead. I have a small box of ornaments I like, but if my apartment caught on fire, that wouldn’t be what I saved*. It’s just so much stuff, in my opinion.

That isn’t to say I get all bah-humbug when the winter rolls around. Far from it! I love the winter, can’t wait until it snows, and do like a warm and happy home to be in when it’s cold outside. It’s just that for me, the holidays aren’t about celebrating the size of your tree or how many presents you can afford to put under it. What matters to me are the people you spend your holidays with, and what you can do to make them feel loved. You can spend several days decking your halls or you can spend that time reading books to your child, making cookies for your spouse, putting another log on the fire, and enjoying your life. Which one is better?

For me, it’s the family time.** Continue Reading »

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The Personal Stuff

I’m warning you now – this blog post will get a bit personal. A bit messy. It isn’t just about writing, though that’s usually what I talk about here, and it does cover why my writing/editing/publishing/art output hasn’t been what I’d hoped for this year. If you want to skip this post and come back in a few days when I’m talking about word counts and organizational habits, I’ll understand.

2011. Well. Wow. It’s been a year. I recently posted about all of the things that I accomplished in 2011, and I’m still a bit shocked that I did that much. Most days I get an hour’s worth of real work done, maybe two, in pieces in between everything else, and every day I feel like I should have gotten more done but I can’t bring myself to do it. I’m behind on deadlines, I have story ideas which are thought out and outlined and … sitting on a white board or partially written in an .odt file somewhere, not getting done. I had to make myself a chart that I keep on the wall with 16 things I think I should be doing every day, and I check things off as I complete them, because otherwise I’m not sure what I’ve done and what still needs to be done and whether I did something today or yesterday. The chart helps, and if I get 10 of the 16 things done I feel pretty good about the day.

That the chart includes things like taking a shower, taking my vitamins, cleaning the apartment, spending time with my child, AND writing, editing, and Dagan Books work, probably says something about my life.

I can admit, now that the year’s almost over, that I have been depressed for a great big part of 2011. But I can also say that it’s situational depression, as in, it’s related to the situation, and not an in-general kind of feeling. The things that are good in my life are still good, still make me smile, and I can see them as happy things even with the bad stuff going on. It’s just that there’s been a lot of bad stuff.

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A Year Ends, Another Takes Its Place

My mother and me, Jan 1974

Today I turn 38 years old.

I like birthdays. Mine, yours, doesn’t matter. It’s our own personal holiday, the one day each year where we’re not celebrating everyone else – we’re celebrating one single person. There’s something about Christmas gift giving which makes me feel like I’m under pressure to do something because everyone else is. It’s just that time of the year. Birthday gifts and wishes and parties and happy notes and any other way of remembering a person’s birthday are not because the whole world says you have to, but because you want to.

For me, my birthday is a bit like New Year’s Eve as well. It’s the turning of the page, the start of a new year. I do my “resolutions” on my birthday, and look back at what I accomplished from one Nov 29 to the next. This last year has had a lot of ups and downs and there were times I felt as if the only thing I was doing right was going to bed each night so that the next day could come. Looking back I’m able to see that I did get a lot more done than just surviving my year (though I did that too). I’ve also got a pretty good idea of what my next year is going to look like, and I can’t wait. Continue Reading »

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Read, Free: On the Methods of Preserving and Dissecting Icthyo Sapiens

This flash fiction piece appears in Static Movement’s new Monster Gallery anthology, which is now available for sale. Read it here, and if you like it, please consider purchasing the anthology (which has many other great flash pieces, all about the monsters we know, and the ones we think we know).

On the Methods of Preserving and Dissecting Icthyo Sapiens
By Carrie Cuinn

Lab Notes, April 23, 1931. The subject has four limbs, but while its skin appears crocodilian, the limbs are not fixed under the body. Instead they appear to be jointed much as a man’s are, with longer back legs and a wide range of motion in the shorter front legs.

Water is everywhere. It is, always, since the earliest memories of my life. I feel it as a warm pressure on every part of my skin. It is an ever-moving source of air for my lungs and food for my belly. When the currents are strong it becomes thick enough to sit on, to grab a hold of and ride. The water is never still because it is never empty. I can taste the time of day.

Though it has a mouth and front facing eyes, it does not appear to breathe air, and instead has several gills hidden under heavy scales on its neck which are easy to miss. Kudos to Johnson for noticing them, or the thing might have drowned before we got its head and neck into a bucket of water.

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